Thursday, 17 November 2016

Cave Temples of Dunhuang: Buddhist Art on China's Silk Road

 May 7–September 4, 2016, GETTY CENTER

On the western edge of the Gobi Desert, near the ancient oasis town of Dunhuang, China, hundreds of cave temples were carved into a cliff face and decorated with Buddhist wall paintings and sculptures. The caves are known as the Mogao (peerless) Grottoes. From the 4th to the 14th century, Dunhuang bore witness to intense religious, commercial, and cultural exchange along the trade routes linking the East and West, known collectively as the Silk Road. The documents and artifacts discovered in the site’s famed Library Cave, along with the paintings and sculptures found in almost 500 other caves, focus primarily on Buddhism. They also tell tales of the merchants, monks, and ruling families who lived, worked, and worshipped in the Dunhuang region.

Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road explores the significance of the Mogao Grottoes and highlights the more than 25 years of collaboration between the Getty Conservation Institute and the Dunhuang Academy to protect and conserve this UNESCO World Heritage Site.

  • 1 

    Creating Replicas of Buddhist Cave Temples at the Mogao Grottoes 

  • 2 

    Cave Temples of Dunhuang: Art, History, and Conservation 

  • 3 

    Conserving Wall Paintings in Cave 85 at the Mogao Cave Temples 

  • 4 

    Preserving the Mogao Cave Temples Site 

  • 5 

    Creating the Immersive Experience of Cave 45 (Cave Temples of Dunhuang) 

  • 6 

    Salt Damage in Wall Paintings at the Mogao Cave Temples 

  • 7 

    Organic Colorant Fading in Wall Paintings at Mogao Cave Temples 

  • 8 

    Color Changes in Wall Paintings at the Mogao Cave Temples 

  • 9 

    Pigment Preparation for Wall Paintings at the Mogao Cave Temples 

  • 10 

    Plaster Detachment in Wall Paintings at the Mogao Cave Temples 

  • 11 

    Causes of Flaking Paint in Wall Paintings at Moago Cave Temples 

  • 12 

    Dunhuang as Nexus of the Silk Road during the Middle Ages 

  • 13 

    Cave Temples of Dunhuang: History, Art, and Materiality (Video 1 of 7) 

  • 14 

    Cave Temples of Dunhuang: History, Art, and Materiality (Video 2 of 7) 

  • 15 

    Cave Temples of Dunhuang: History, Art, and Materiality (Video 3 of 7) 

  • 16 

    Cave Temples of Dunhuang: History, Art, and Materiality (Video 4 of 7) 

  • 17 

    Cave Temples of Dunhuang: History, Art, and Materiality (Video 5 of 7) 

  • 18 

    Cave Temples of Dunhuang: History, Art, and Materiality (Video 6 of 7) 

  • 19 

    Cave Temples of Dunhuang: History, Art, and Materiality (Video 7 of 7) 

  • 20 

    Exhibition "Cave Temples of Dunhuang" 

  • 21 

    The Diamond Sutra: Printing, Piety & Preservation on the Silk Road 

  • 22 

    Cornelia Funke's Voyage into the Caves of the Thousand Buddhas 

  • 23 

    Heaven and Hell on the Silk Road 

  • 24 

    Care of Time & Dimensions of Conservation at Mogao Grottoes 

  •  

    Mogao Grottoes and Surrounding Landscape Panorama 

  • Friday, 11 November 2016

    Conférence - Charles-Eudes Bonin, explorateur-diplomate 15 novembre 2016

    Conférence - 

    Charles-Eudes Bonin, explorateur-diplomate 

    15 novembre 2016


    L’association des Amis des Archives diplomatiques a le plaisir de vous inviter à la conférence Charles-Eudes Bonin (1865-1929), explorateur-diplomate, par Stéphane MALSAGNE, professeur agrégé, chargé de cours sur le Moyen-Orient, Université de Versailles Saint-Quentin-en-Yvelines (UVSQ), le mardi 15 novembre 2016 à 18h au Quai d’Orsay, salle Clergier
    Personnage longtemps méconnu, Charles-Eudes Bonin (Poissy, le 26 juin 1865 - Barcelone, le 29 septembre 1929) fut poète, chartiste, explorateur en Chine, archéologue, orientaliste et diplomate. Dans le contexte des rivalités anglo-russes (Grand Jeu), l’Asie centrale fut sa terre de prédilection et contribua à sa renommée au Quai d’Orsay, ainsi que dans les milieux scientifiques et coloniaux. Auteur de nombreux travaux utilisés encore par les historiens, il travailla au renforcement des intérêts français, s’intéressa particulièrement à l’islam chinois et asiatique et participa à la réflexion sur la politique musulmane de la France. De l’Extrême-Orient au Moyen-Orient, en passant un temps par l’Amérique du nord et l’Europe, ce livre nous invite à retracer une carrière exceptionnelle qui traverse des moments charnières de l’histoire des XIXe et XXe siècles.

    « Un excellent livre qui, avec une grande sûreté documentaire, fait revivre le monde des explorateurs diplomates de la IIIe République ». Henry Laurens, Professeur au Collège de France, titulaire de la chaire d’histoire contemporaine du monde arabe.
    « This scholarly, deeply researched biography narrates clearly the crucial work undertaken by French explorers and diplomats in describing and mapping “unknown” Eurasia for the European and North American empires. The “Great Game” was not played simply by British and Russian adventurers, and the intrepid Americans who went out to the waste places of the earth had French colleagues. Charles-Eudes Bonin (1865-1929) traveled those rough roads – especially southeast Asia and China’s frontiers – in France’s interest, and Dr. Malsagne has plumbed the archives to give us his story, well contextualized in the history of 19th-20th century imperial rivalries. Bonin belongs in the bold company of Joseph Rock, Ferdinand von Richthofen, Nikolai Przhevalsky, and Aurel Stein, among many others, and we must thank Dr. Malsagne for his inclusion ». Jonathan N. Lipman, Professor Emeritus of History Mount Holyoke College, Author of Familiar Strangers A History of Muslims in Northwest China.
    Stéphane Malsagne est agrégé et docteur en histoire (Université de Paris I). Chercheur sur le Moyen-Orient, il a publié plusieurs ouvrages et articles sur la région. 

    Ministère des Affaires étrangères 
    et du Développement international, 
    salle Clergier
    37, Quai d’Orsay
    75007 Paris

    Merci de confirmer votre présence par courriel sur archives.amis_[at]_diplomatie.gouv.fr
    et de vous munir d’une pièce d’identité

    Burial site of Siberian Robin Hood unearthed in Altai Republic










    Medieval archer's 'unique quiver' and arrows with iron tips found in hole in a cliff, along with his wooden sarcophagus.
    'This quiver is a great find, it is very well preserved. It will be important to examine it more thoroughly to understand its construction.' Picture: Almadakov E.A.
    Two local residents accidentally stumbled across the burial site, close to the village of Kokorya, which contains the bones of an adult man, his birch bark quiver, arrow shafts and iron arrow heads, intricate ornaments and utensils made from the roots of trees, as well as the remnants of silk ribbons. 
    He is believed to be a warrior with a talent for archery who lived around the 13th to 15th century like the legendary outlaw Robin Hood in England.
    The archer is likely to have been held in respect, confirmed by the location of his burial and the care taken to send him into the next life with his arrows and 'sophisticated' quiver. It has pockets for different types of arrows, say scientists.
    Archeologists have not yet secured permission to open the wooden sarcophagus, although locals who found and looked inside confirm it contains bones, and it may also have the marksman's bow.
    Map

    Quiver

    Bone plates
    'Initially we thought that the bone plates were details of the bow, but they turned to be the decorations of the quiver.' Pictures: The Siberian Times, Vasily Oinoshev
    Dr Nikita Konstantinov, Head of the Museum of Gorno-Altaisk State University, said: 'At the moment we have a birch bark quiver, two bone plates with elaborated ornaments, iron arrowheads, wooden arrow shafts, birch bark linings for a saddle, the remains of ribbons, likely silk, and what is left of a leather strap.
    'Initially we thought that the bone plates were details of the bow, but they turned to be the decorations of the quiver.'
    The warrior is suspected to be of Mongolian origin - 'there are no similar quivers found in our region, this is unique for Altai.' It was wrapped in silk ribbons when he was buried. 
    'The leather strap was used for attaching the quiver to the belt, we believe. Judging by the shape of the arrow heads, I would say that the owner was a warrior.' But they could also be used for hunting. 
    Arrow heads

    Arrow shifts
    Judging by the shape of the arrow heads, I would say that the owner was a warrior.' Pictures: Nikita Konstantinov, Almadakov E.A.
    Vasily Oinoshev, director of the Agency for Cultural and Historical Heritage of the Altai Republic, said: 'The quiver is a very interesting one. It has separate 'pockets' for different types of arrows. 
    'This quiver is a great find, it is very well preserved. It will be important to examine it more thoroughly to understand its construction.' 
    Archeologists hope to get permission to open and examine the sarcophagus next summer, and in the meantime have taken steps to preserve the burial site. They hope to find the archer's bow and his saddle. 
    'Sadly we cannot go and excavate the grave immediately. We need to have a special permission for work,' said Dr Oinoshev. 'Excavations are allowed in the period from 1 April 1 to 1 November. So as soon as we get all the permits we will go to work on this grave. 
    Quiver
    'There are no similar quivers found in our region, this is unique for Altai.' Picture: Almadakov E.A.
    'We are doing all we can to ensure the safety of the grave in winter and to ensure the security of other archaeological objects. I have many questions to how these items were found. 
    'The story was that the locals found the grave in a hole in a cliff and took some items from there. But I am not completely sure they have not unearthed it. We need to check all this thoroughly.' 
    Altai is a region where Mongolians sent their first external conquest in the 12th century. The area remained under Mongol sway until the 14th and 15th centuries.
    Robin Hood
    The story of Robin Hood was popular in the Soviet Union because his robbing of the rich to give to the poor to an extent coincided with Communist ideology. Picture: YouTube
    According to Dr Alexey Tishkin, an Altai researcher: 'When the Mongolian tribes came to Altai, previous Turk traditions were forgotten. Part of the local population was assimilated or destroyed.'
    Finds from this Mongolian conquest are fairly rare in Altai. The wooden sarcophagus and cold dry climate helped the excellent preservation of the finds. 
    The story of Robin Hood was popular in the Soviet Union because his robbing of the rich to give to the poor to an extent coincided with Communist ideology. A movie, The Arrows of Robin Hood, was made in 1975 by Soviet director Sergei Tarasov.

    Monday, 7 November 2016

    Rare Ming Dynasty bank note found inside ancient Chinese wooden sculpture


    2016-11-07 Global TimesEditor: Li Yan
    Large Chinese wooden sculpture of a Luohan, Yuan Dynasty (1279-1368) (Photo/Courtesy of Mossgreen Auctions)
    Large Chinese wooden sculpture of a Luohan, Yuan Dynasty (1279-1368) (Photo/Courtesy of Mossgreen Auctions)
    The Ming Dynasty's Yi Guan bank note found inside the wooden sculpture (Photo/Courtesy of Mossgreen Auctions)
    The Ming Dynasty's "Yi Guan" bank note found inside the wooden sculpture (Photo/Courtesy of Mossgreen Auctions)
    A Chinese wooden sculpture and a rare Ming Dynasty bank note that was discovered inside were on display in an exhibition in London on 3-6 November at The Beaumont Hotel.
    The 13-14th century sculpture and the bank note will later be auctioned in Sydney on December 11, as part of The Raphy Star Collection of Important Asian Art by Mossgreen, Australia's leading art business, with auction, gallery and private sales totalling AUD$50 million in 2015.
    Paul Sumner, chief executive officer of Mossgreen Auctions, told the Global Times, "It is very rare to find this kind of bank note inside a head of a wooden Buddhist sculpture."
    The sculpture and the bank note will be sold together as one lot for between $30,000 to $45,000.

    A thrilling discovery
    Mossgreen specialists discovered this bank note hidden within the cavity of the head of a large, Chinese wooden sculpture of a Luohan while cataloguing this piece.
    Specialist Ray Tregaskis, head of Asian Art at Mossgreen, said, "It was a thrilling moment. While it was not unusual for consecration items such as semi-precious stones or scrolls to be left within the base or on the back of a sculpture, the discovery of this rare Ming Dynasty bank note is an exciting one and importantly, it verifies the date of the sculpture."
    Luohan is a Chinese word used to describe those who have completed the four stages of Enlightenment and reached the state of nirvana.
    The wooden sculpture is based on the style and carving techniques of the Yuan Dynasty (1279-1368). It originally belongs to a set of several Luohan, and placed in a Buddhist temple for worshiping.
    The sculpture was part of an important private collection that was sold by A.J. Speelman in the year of 1990 to Raphy Star, a collector who over 30 years has formed a diverse collection of Asian art.
    Inspired by the refined aesthetic beauty of Asian Art, particularly Buddhist Art, Raphy Star said "collecting became something of an addiction."
    Usually for the Buddhist figures, especially the gilt bronze figures, there would be some consecration materials inside which would be put in by a Monk or Lama, after the figures were cast.
    The common consecration materials are mantra rolls, relics, grains, incense and other precious objects. This is the first time to discover a bank note inside a wooden head.
    "We don't know exactly why it was there, whether it was put in by the carver/patron after it was carved or by the patron who paid the money to repair the sculpture 40, 50 years later (probably by later patron)," Sumner told the Global Times.

    Hongwu bank note
    This kind of bank note was first made during Hongwu period in the 14th century by the first Ming Emperor Zhu Yuanzhang, who defeated the Yuan army and overthrew the rule of the Yuan Dynasty.
    It was used as a replacement of bronze coins. Only this kind of bank note and bronze coins were allowed to be used during the trading by normal people. Gold and silver were forbidden.
    "From this bank note we can see what kind of paper they were using for making the bank note during the Ming Dynasty, and what kind of printing technology was used during that period. And also the financial system of that period," Sumner told the Global Times.
    The note is inscribed "Da Ming Tong Xing Bao Chao" and the value is "Yi Guan."
    "Yi Guan" was the biggest note during that time. It equals to the present bank note value of around 600 yuan. This kind of Hongwu bank note was in use for about 270 years.
    The Ming Dynasty ruled for almost 300 years during a prosperous time which saw increased trade with Europe.
    The bank note is stamped with three official red seals and dated the third year of the Ming Dynasty, the Hongwu period (1368-1398).
    The note is inscribed with a sinister warning for any would be forgers, "Authorized by the Department of Finance, this bank note has the same function as coins; those who use counterfeit bank note will be beheaded, and the whistle-blower will be rewarded 250 liang silver plus all the properties of the criminal. The third year of Hongwu period."
    The pair of artifacts, to be auctioned by The Raphy Star Collection of Important Asian Art, is believed to be the most important and diverse collection of Asian Art to have been offered at auction in Australia.
    "We expect a high level of interest from discerning collectors and institutions all over the world," Sumner said, adding that the market for Chinese historical works of art has boomed along with the overall economic development over the recent years.
    "It shows no sign of slowing as demand outstrips supply for the rarest and most sought after works of art," said Sumner.

    Friday, 4 November 2016

    Creating the Silk Road: Travel, Trade and Myth-Making

    Creating the Silk Road: Travel, Trade and Myth-Making Hardcover – 30 May 2015



    • Hardcover: 288 pages
    • Publisher: I.B.Tauris; Sew edition (30 May 2015)
    • Language: English
    • ISBN-10: 1780769784

    The idea of the Silk Road is an enduring concept. Originally created by 19th century Europeans to provide an understandable narrative of trade in the non-European world, it has become a romanticised term describing a route connecting the East and West, the assumed major powers of China and Rome. In Creating the Silk Road Khodadad Rezakhani challenges this assumption, providing an alternative narrative which does not gloss over the intricacies in the histories of the various regions, from Western China through to Iran and the Caucasus. By confronting the shortcomings of Eurocentric historiography, the somewhat artificial and nostalgic nature of the Silk Road concept is revealed, opening the way for a deeper scrutiny of the histories, languages and cultures of Eurasia."

          About the author:

    Khodadad Rezakhani is Research Officer at the Department of Economic History at the London School of Economics and Political Science (LSE), working on material and commercial progress in the post-Mongol/pre-Modern West and Central Asia. He was awarded his PhD in Near Eastern history at the University of California, Los Angeles (UCLA).


    East Iran in Antiquity

    Dr. Khodadad Rezakhani, Associate Research Scholar, Sharmin and Bijan Mossavar-Rahmani Center for Iran and Persian Gulf Studies, Princeton UniversityEast Iran in Antiquity: Silk Road and Central Asia outside the Paradigm of Eurasian Trade
    November 9, 2016
    12:00 - 1:15 p.m. Lunch Seminar

    Location: Green Hall, Room 1-N-5 
    Lunch Served and RSVP required to iran@princeton.edu


    Wednesday, 2 November 2016

    Medieval Islamic Maps

    Medieval Islamic Maps: 

    An Exploration Hardcover – 8 Nov 2016