Thursday, 27 November 2014

Who built this Siberian summer palace… and why?


Experts still divided over mysterious 1,300-year-old fortress-like structure located on island in middle of lake.

1,300-year-old structure could be a fortress, summer palace, monastery, or even an astronomical observatory. Picture: gdehorosho.ru
With its island location and towering square walls that were once impenetrable, it looks at first glance to be an ancient fortress or kremlin to keep out enemies. Others believe the 1,300-year-old structure in rural Siberia has more mystical properties and might have been a summer palace, monastery, or even an astronomical observatory.
Whatever it is, more than a century after it was first explored, archaeologists are no further forward in discovering the secrets of Por-Bajin, who built it or why.
Most likely constructed in 757 AD, the complex has fascinated and frustrated experts in equal measure since it was located in the middle Tere-Khol, a high-altitude lake in Tuva, in the late 19th century.
First explored in 1891, with small-scale excavation work later carried out between 1957 and 1963, it was not until 2007 that proper research took place at the site.
Archaeologists found clay tablets of human feet, faded coloured drawings on the plaster of the walls, giant gates and fragments of burnt wood. But nothing yet has provided a definitive answer as to why the structure was built, and excavation work continues.
Por-Bajin map
Por-Bajin on the map of Uighur Kaganate. Picture: Irina Arzhantseva
'Por-Bajin is legally treated as one of the most mysterious archaeological monuments of Russia,' says the official website for the complex, about 3,800km from Moscow.
'Apparently it was built at the period of the Uighur Khagante nomadic empire (744-840 AD), but it’s not clear what they built a fortress for in such a solitary place, far from big settlements and trade routes. 'The architecture also produces many questions and it has reminders of a model of an ideal Chinese city-palace.'
Por-Bajin, which translates as 'clay house' in the Tuvan language, is located in the very centre of Eurasia, on the borders of Russia and Mongolia. It sits on a small island in a lake high in the mountains between the Sayan and Altai ranges, about five miles west of the isolated Kungurtuk settlement in southern Siberia.
Laser mapping of the site prior to the first major excavation in 2007 helped experts build a 3D model of what the community might have looked like. Despite its age, parts of the structure were well preserved when archaeologists arrived to examine the 3.5 hectare site, with walls clearly visible.
Outer walls standing 10 metres tall and 12 metres wide formed a rectangular shape, creating what many have interpreted as a protective kremlin-like fortress. A main gate was discovered, opening into two successive courtyards connected by another gate.
Walls on the inside were smaller, at about one metre-tall, forming the outline of buildings, with a large building in the centre of the site. Some of the walls and panels were covered with lime plaster painted with horizontal red striped.
The main complex in the inner courtyard had a two-part central structure, one behind the other linked by a covered walkway. It had a tiled roof and was supported by 36 wooden columns resting on stone bases.
Por-Bajin

Por-Bajin in winter

Por-Bajin reconstruction
Construction materials, and the way the site is laid out, told the experts it was built in a typically Chinese architectural tradition, most likely in the second half of the eight century. Pictures: gdehorosho.ru, Irina Arzhantseva
Construction materials, and the way the site is laid out, told the experts it was built in a typically Chinese architectural tradition, most likely in the second half of the eight century.
'The building was most likely of the post-and-beam construction characteristic of Chinese architecture from the T’ang Dynasty,' wrote head archaeologist Irina Arzhantseva in a report published in The European Archaeologist in 2011.
'Finds of burnt timber fragments point to the use of the typical Chinese technique of interlocking wooden brackets, called dou-gung. Ramps led down to the two flanking galleries which were roofed, open spaces looking onto the access to the main pavilion.'
While debate continues about the use of Por-Bajin, there is growing evidence it was a community or palace complex centred around a Buddhist monastery. Certainly, there is an argument that its layout is typical of the palaces of the Buddhist Paradises as depicted in T’ang paintings.
Books from the era also describe the existence of Uighur towns, extensive building activities, and a transition from a nomadic to sedentary lifestyle. Indeed, there may have been as many of 15 of these settlements in Tuva alone, all square of rectangular shaped and enclosed by walls with a main gate.
What puzzles the experts, however, is the lack of rudimentary heating systems, particularly given that Por-Bajin sits at 2,300metres above sea level and endures harsh Siberian weather.
Walls of Por-Bajin

Walls of Por-Bajin

Walls of Por-Bajin
Outer walls standing 10 metres tall and 12 metres wide formed a rectangular shape, creating what many have interpreted as a protective kremlin-like fortress. Pictures: 'Por-Bajin Fortress' foundation
If anything it suggests that the complex was only ever occupied for a brief period of time, or was used as a seasonal home in the warmer summer months. Some experts even say that the climate, or other natural occurrences in the region, brought occupation of the site to an early end in the 9th century.
Por-Bajin sits on a bed of permafrost with evidence that the melting of this ice – as a result of warmer temperatures over the past century - has caused not only a destruction of the walls, but a dramatic rise in the depth of the lake water.
In the 2011 research paper, Irina Arzhantseva wrote: 'This situation created a two-fold threat to the long-term survival of the site. Thermokarst (melting of the permafrost) seems to undermine the stability of the structures on the site, leading to collapse and decay; and frost fissures are causing constant erosion of the banks of the island to such an extent that it is estimated that the walls will start collapsing into the lake in about 80 years.
'Archaeological and geomorphological fieldwork revealed traces of at least two earthquakes which had accelerated the natural process of deterioration. The first of these seems to have happened already during the construction of the ‘fortress’ in the 8th century.
'It is not yet quite clear how long the buildings survived after the abandonment of the site in the 9th century, but some time after the abandonment there was another catastrophic earthquake which led to fires and to the collapse of the southern and eastern enclosure walls, and destroyed the north-western corner bastion.'
Chinese roof tile

Chinese roof tiles

Restoration on Por-Bajin
'The building was most likely of the post-and-beam construction characteristic of Chinese architecture from the T’ang Dynasty.' Pictures: Irina Arzhantseva, 'Por-Bajin Fortress' foundation
While debate on its origins will no doubt continue for decades, those who have seen Por-Bajin are all in agreement about its beauty. In fact, in many ways Russian president Vladimir Putin sums it up perfectly.
'I have been to many places, I have seen many things, but I have never seen anything of the kind,' he said, following a visit to the complex with Prince Albert of Monaco in 2007. Few could argue with that.

Wednesday, 26 November 2014

1,700-Year-Old Silk Road Cemetery in Kucha contains Mythical Carvings





LiveScience.com  by Owen Jarus   November 24, 2014                                                          A cemetery dating back roughly 1,700 years has been discovered along part of the Silk Road, a series of ancient trade routes that once connected China to the Roman Empire.
The cemetery was found in the city of Kucha, which is located in present-day northwest China. Ten tombs were excavated, seven of which turned out to be large brick structures.
One tomb, dubbed "M3," contained carvings of several mythical creatures, including four that represent different seasons and parts of the heavens: the White Tiger of the West, the Vermilion Bird of the South, the Black Turtle of the North and the Azure Dragon of the East. [See photos of the ancient Silk Road cemetery]

The M3 tomb also "consists of a burial mound, ramp, sealed gate, tomb entrance, screen walls, passage, burial chamber and side chamber" the researchers wrote in a report published recently in the journal Chinese Cultural Relics.
The cemetery was first found in July 2007 and was excavated by the Xinjiang Institute of Cultural Relics and Archaeology, with assistance from local authorities. The research team, led by Zhiyong Yu, director of the Xinjiang Archaeological Institute, published the findings in Chinese in the journal Wenwu. The article was recently translated into English and published in the journal Chinese Cultural Relics.
Who was buried here? 
The identity of the people buried in the cemetery is a mystery. The cemetery had been robbed in the past and no writing was found that indicates the names of those buried or their positions in life.
The seven large brick tombs were likely constructed for people of wealth, the researchers said.
But, when the skeletal remains were analyzed, the researchers found that the tombs had been reused multiple times. Some of the tombs contain more than 10 occupants, and the "repeated multiple burials warrant further study," the researchers wrote.
City on the Silk Road
The excavators think the cemetery dates back around 1,700 years, to a time when Kucha was vital to controlling the Western Frontiers (Xiyu) of China. Since the Silk Road trade routes passed through the Western Frontiers, control of this key region was important to China’s rulers.
"In ancient times, Kucha was called Qiuci in Chinese literature. It was a powerful city-state in the oasis of the Western Frontiers" the researchers wrote.
For the dynasties that flourished in China around 1,700 years ago "the conquest and effective governance of Kucha would enable them to control all the oasis city-states in the Western Frontiers," the researchers said.
In fact, one ancient saying was, "if you have Kucha, only one percent of the states in the Western Frontiers remain unsubmissive."
Chinese Cultural Relics is a new journal that translates Chinese-language articles, originally published in the journal Wenwu, into English. The discovery of the 1,700-year-old cemetery was included in its inaugural issue.

Fancy tombs - silk road cemetery























Tomb M3, pictured here, contains a ramp, sealed gate, screen walls, tomb entrance, passage, burial chamber and side chamber. Researchers also found carvings of mythical creatures.

Multiple burials
Multiple burials - silk road cemetery























More than 10 occupants were buried in tomb M3 at different times, the researchers said, but the burial containers have now decayed. All the large brick tombs in the cemetery contain multiple burials.

Interesting decorations
Interesting decorations - silk road cemetery











































A screen wall of tomb M3 contains carvings that depict a variety of mythical creatures. Heavenly deer are shown at both top right and top left, while at bottom left and bottom right are mythical animals called Xie Zhi. In between the deer and the Xie Zhi, there are carvings that depict the Vermilion Bird of the South (on left, second from top), the White Tiger of the West (on left, second from bottom), the Black Turtle of the North (at right, second from top) and the Azure Dragon of the East (at right, second from bottom). The dragon, bird, black turtle and white tiger are creatures that represent different seasons and parts of the heavens.

The wear of time
The wear of time - silk road cemetery



















An up-close view of a heavenly deer from the screen wall. The carved bricks were originally painted, but these decorations have since peeled off.

A different perspective
A different perspective - silk road cemetery









































This image shows another view of the interior of tomb M3, facing northwest.

A relic
A relic - silk road cemetery
























While the cemetery had been robbed, archaeologists found a number of artifacts. This lotus petal guan jar is from tomb M3.

Another tomb
Another tomb - silk road cemetery





































This image shows another large brick tomb discovered in the cemetery, dubbed M1. This photo shows the tomb facing west.

Human remains
Human remains - silk road cemetery





















A view of the antechamber of tomb M1, showing some of the human remains found in the tomb.

The Silk Road
The silk road - silk road cemetery























A map showing the location of Kucha within China and the Xinjiang region. The pink area is Kucha County and the yellow area represents the prefecture. (Image courtesy of Wikimedia user Croquant, CC Attribution 3.0 Unported)

Monday, 24 November 2014

Journal of Inner Asian Art and Archaeology publishes sixth volume

Journal of Inner Asian Art and Archaeology publishes sixth volume
JIAAA logo 
In 1995, several enterprising graduate students in the Department of Art and Archaeology at the School of Oriental and African Studies (SOAS), University of London, founded the Circle of Inner Asian Art (CIAA) to serve as a forum for discussion and exchange of information about the non-Islamic art and archaeology of Inner Asia. The Circle hosted lectures by internationally renowned scholars, as well as seminars and workshops; it promoted exchange of information regarding Inner Asian art and archaeology through an international network of universities, museums, and other organizations. Probably its most important—and certainly most lasting—contribution was its Newsletter, produced three times a year. It featured short articles and excavation reports by various scholars, a “News Bulletin” on recent and upcoming international events, awards, and exhibitions, in addition to conference reports and listings, and descriptive notices of forthcoming publications, often accompanied by brief reviews.
Graduate students eventually earn their degrees and move on to another stage of life and to other climes. But one of the original group, now Dr. Lilla Russell-Smith, wished to preserve the mission of this unique publication and interested the Belgian publisher, Brepols, in launching the annual Journal of Inner Asian Art and Archaeology. It was my good fortune to be asked by Lilla to co-edit volume 1 (2006), which was mostly devoted to articles focusing on Iran and neighboring areas in celebration of the 80th birthday of A. D. H. Bivar, Professor of Iranian Studies at SOAS, and, among his many accolades, Honorary President of the CIAA. Similarly, volume 2 (2007) contained a large festschrift section devoted to more eastern subjects to honor Roderick Whitfield, Professor of Chinese Art and Archaeology at SOAS, and President of the CIAA. As begun with these volumes, the JIAAA attempts to balance the “West Central Asian” world with the “East Central Asian” one, with a range of articles for widest appeal, not only on art and archaeology but on the related areas of language and history.
With Lilla’s appointment as Curator of Central Asian Collections in the Museum of Asian Art, Berlin, and my association with ISAW, first as a Visiting Research Scholar and now as a Research Associate, we thought it would be a good idea for the Journal to come under ISAW’s wings. Fortunately, ISAW’s director, Roger Bagnall, did too. Another reason for making the JIAAA an ISAW enterprise was to benefit from the involvement of Sören Stark, Assistant Professor of Central Asian Art and Archaeology; beginning with volume 4, Sören has been sharing the editorship with us.
Volume 6 will soon be published; we invite readers to visit http://isaw.nyu.edu/publications/jiaaa to see its Table of Contents and images from some of the articles. With volume 7, Lilla Russell-Smith will be stepping back from co-editing but will remain on our Editorial Board. Taking her place will be Annette L. Juliano, Professor of Chinese Art History at Rutgers University-Newark.
Soon we expect to add to the JIAAA webpage the complete contents of volume 1, and each year the next consecutive issue, thanks to Brepols, which has graciously agreed to make back issues available through the Ancient World Digital Library (AWDL); we already post on the JIAAA website in full one article from each published volume and plan to replace each periodically with a different article from that issue.
JIAAA Bird Motif
© Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Jürgen Liepe
And what of the CIAA Newsletter? In the spring, thanks to the efforts of ISAW Head Librarian David Ratzan, all 20 volumes of the Newsletter have been scanned and will be accessible via AWDL (searchable through the NYU Library’s BobCat portal) as well as a PDF, which can be fully searched. Eventually, one will be able to search for a name or a term across the set as a whole in AWDL. With the growing interest in the historiography of Silk Road studies and the development of art historical and archaeological investigation, the Newsletter articles and news items should prove valuable.
A final word about the CIAA’s legacy: the JIAAA continues its logo, an adaptation by one of the student publishers, Dr. Madhuvanti Ghose (now at the Art Institute of Chicago), of the beribboned bird, enclosed in a pearled roundel and holding a jeweled pendant in its beak, that decorated a wall in one of the caves at Kizil, a Buddhist site along the northern caravan route skirting the Taklamakan desert in Xinjiang. The roundels are paired so that two ducks face each other and a textile-like pattern is formed by their repetition. Indeed, the motif was undoubtedly copied from a silk textile originating in Sogdiana in western Central Asia or Sasanian Iran. Thus, an appropriate symbol for the transnational art of Central or Inner Asia, and, a propitious one for Lilla Russell-Smith, who was pleased to have in her care in Berlin a portion of the painted frieze from Kizil.


Contents of volume 6:
  • Luca M. OLIVIERI, "The Last Phases at Barikot: Domestic Cults and Preliminary Chronology. Data from the 2012 Excavation Campaign in Swat"
  • Mutalib KHASANOV and M. H. ISAMIDDINOV, "Ceramic Imitations of Metalwork of the Early Hellenistic Period in Kurgancha"
  • Géraldine FRAY, Frantz GRENET, Mutalib KHASANOV, Marina REUTOVA, and Maria RIEP,  "Non-Zoroastrian Agrarian Cults in Sogdiana"
  • Lyndon A. ARDEN-WONG, "Preliminary Thoughts on a Marble Tablet from Karabalgasun"
  • Jan BEMMANN, Thomas HÖLLMANN, Birte AHRENS, Thomas KAISER, and Shing MÜLLER, "A Stone Quarry in the Orkhon Valley"
  • Étienne de la VAISSIÈRE, "Two Sogdian(?) Tombs from Gansu. A Preliminary Note"
  • T. H. BARRETT, "Transcribed Printers’ Colophons at Dunhuang as Evidence for Early Printing"
  • Marilyn GRIDLEY, "Yulin Cave 30 and Uygur Patronage: Origin and Transmittal of the Theme of Guanyin with Luohans"
  • Gábor KÓSA: "The Sun, The Moon and the Paradise –– An Interpretation of the Upper Register of the Chinese Manichaean Cosmology Painting"
  • Annette L. JULIANO and Judith A. LERNER: "Conference Notes. 'Sogdians in China: New Evidence in Archaeological Finds and Unearthed Texts'"
  • OBITUARY
    • Katheryn M. LINDUFF and Karen S. RUBINSON, "Elena Efimovna Kuz’mina (Kuzmina) (1930-2013)"


To subscribe to the Journal of Inner Asian Art and Archaeology
Please contact periodicals@brepols.net
If you would like to purchase online access on a pay-per-view article basis, please check:Brepols Periodica Online: brepols.metapress.com

The conservation of the Begram Ivories

http://bri.mu/sO1WTS ivories

The remarkable story of conservation and repatriation of the Begram Ivories. Excavated in the 1930s, the ivories were part of the collection of the National Museum of Afghanistan in Kabul but went missing during the unrest in Afghanistan. They re-emerged in 2010 and have been conserved at the British Museum. The ivories have been returned to the National Museum of Afghanistan.

Sunday, 23 November 2014

Important tomb found from the Wu Zetian period

Tomb of China’s woman prime minister: The life and lovers of politician who served first female emperor and was eventually executed in a palace coup



As a sequence of murders, coups and affairs enveloped the dynasty, Shangguan Wan'er's husband Li Xian briefly became emperor.

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Ancient: This undated picture released by the Shaanxi provincial cultural relics bureau shows a stone marker carved with an epitaph inside the newly discovered tomb of Shangguan Wan'er
Ancient: This undated picture released by the Shaanxi provincial cultural relics bureau shows a stone marker carved with an epitaph inside the newly discovered tomb of Shangguan Wan'er
'Of major significance': Chinese archaeologists work inside the newly discovered tomb of Shangguan Wan'er, a 7th-century female politician who was one of the most powerful women in ancient Chinese history
'Of major significance': Chinese archaeologists work inside the newly discovered tomb of Shangguan Wan'er, a 7th-century female politician who was one of the most powerful women in ancient Chinese history
Fascinating find: The tomb was discovered near an airport in Xianyang in northern Shaanxi province and confirmed by an epitaph, China Radio International said on its website
Fascinating find: The tomb was discovered near an airport in Xianyang in northern Shaanxi province and confirmed by an epitaph, China Radio International said on its website
  

She was killed in 710 when Li Longji (685-762), the seventh emperor of the Tang Dynasty, launched a palace coup. 
Her tomb was discovered near an airport in Xianyang in northern Shaanxi province and confirmed by an epitaph, China Radio International said on its website.

'The discovery of the tomb with the epitaph is of major significance in the study of the Tang Dynasty,' the China Daily said, citing a historian specialising in the era, Du Wenyu.
The grave was badly damaged, suggesting a 'large-scale, organised' and possibly 'official destruction', Geng Qinggang, a Shaanxi-based archaeology researcher told the China News Service on Thursday.

Desecrated: The grave was badly damaged, suggesting a 'large-scale, organised' and possibly 'official destruction', Geng Qinggang, a Shaanxi-based archaeology researcher told the China News Service
Desecrated: The grave was badly damaged, suggesting a 'large-scale, organised' and possibly 'official destruction', Geng Qinggang, a Shaanxi-based archaeology researcher told the China News Service
Bloody end: Shangguan Wan'er was killed in 710 when Li Longji (685-762), the seventh emperor of the Tang Dynasty, launched a palace coup
Bloody end: Shangguan Wan'er was killed in 710 when Li Longji (685-762), the seventh emperor of the Tang Dynasty, launched a palace coup
Relics: Sculptures of horse riders inside the newly discovered tomb of Shangguan Wan'er
Relics: Sculptures of horse riders inside the newly discovered tomb of Shangguan Wan'er

DENIED A STATUS: HOW WOMEN WERE REPRESSED IN CHINA

As a woman, Shangguan Wan'er's rise to such a powerful position in the Chinese hierarchy was extremely rare.
For thousands of years, women were considered inferior to men to the point of being treated with contempt.
They were given no political rights, denied property or inheritance and given no social status.
Many were treated as slaves until their death.
They were forced to obey their fathers before marriage, their husbands after marriage and then their sons if they became widowed.
It wasn't until the first half of the 20th Century when the Chinese Communist Party made the achievement of female emancipation one of its goals that equality between men and women began to even out.

Shannguan Wan'er was born into an influential Chinese family in 664AD. 
Her grandfather, Shangguan Yi, had risen to the rank of chancellor during the reign of Emperor Gaozong.
But was executed after he was found to be involved in a plot to depose of his wife, Empress Wu.
Shangguan Wan'er's father, Shangguan Tingzhi, was also put to death for taking part in the same conspiracy.
Despite her family connections, she went on to become Wu's secretary when she became empress dowager following Gaozong's death in 683 and then took title of Emperor herself in 690.
Empress Wu is said to have admired Shangguan Wan'er's qualities of being discerning and manipulative and saw something of the young girl in herself, it was reported on Journey to the East.
As secretary, she was in charge of writing imperial edicts, dealing with matters of vital importance on the government and state - effectively taking on the role of a prime minister.
Held in high regard: Shangguan Wan'er - who lived from 664 to 710 in the Tang dynasty - was a trusted aide to China's first female emperor Wu Zetian (pictured)
Held in high regard: Shangguan Wan'er - who lived from 664 to 710 in the Tang dynasty - was a trusted aide to China's first female emperor Wu Zetian (pictured)

She was also asked to spy on the Empress's courtiers.
When Tang Emperor Zhongzong ascended to the throne after a coup, Shangguan Wan'er was awarded the title Zhaorong and given responsibility for the imperial harem.
Aspiring to follow in the footsteps of Empress Wu, Empress Wei posioned her husband and took power. 
But after a short time, she was overthrown and killed in a coup by Li Longji, Prince of Linzi.
As a member of Empress Wei's inner circle, Shangguan Wan'er was also killed.
Her story has intrigued many in China and has even inspired a TV series.