Monday, 8 June 2009

In the Footsteps of Marco Polo


IN THE FOOTSTEPS OF MARCO POLO, premiering on public television last November 2008 , chronicles the journey of two ordinary guys – Belliveau, at the time a wedding photographer, and O’Donnell, an artist and former Marine – as they set out to follow Polo’s historic route.

Equal parts travelogue, adventure story, history trek and buddy movie, the 90-minute film weaves footage from the duo’s often perilous voyage with Marco Polo’s descriptions and experiences.
Richly enhanced with Belliveau’s award-winning photographs, the program details their highs and lows as they retrace Polo’s path, trying to see what he saw and feel what he must have felt.

IN THE FOOTSTEPS OF MARCO POLO captures the pair as they survive a deadly firefight and befriend a warlord in Afghanistan, cross the forbidding Taklamakan Desert in a Silk Road camel caravan, endure continuous interrogations from authorities, and live among cultures ranging from the expert horsemen of Mongolia to the tattooed tribes of Indonesia.

“We made a pact,” says O’Donnell, “that, under any conditions, no matter what, we were only coming back to the United States two ways – either dead or successful.”
In the spirit of history’s great adventurers, the two make their way across the world’s largest land mass and back, securing – or, when necessary, forging – visas, surviving extreme temperatures, and talking their way out of jams brought on by Tajik soldiers, Chinese security officers, and an assortment of other bureaucrats, border guards and armed warriors.
“We made it the 13th century in our heads,” said Belliveau. “What was this like for Marco? How would it have been for him? We were going to try to make this whole journey like we were living in Marco Polo’s world.” Without the assistance of air travel, they made their way on foot, horseback, camelback, in jeeps, trucks, boats and trains.
But as fascinating as the world looked through Marco Polo’s eyes, is the world and the people Belliveau and O’Donnell saw through their own. “Travel is the enemy of bigotry,” says O’Donnell. “There’s a lot more good people on the planet than bad…Get out there, meet [people], they’re good,” adds Belliveau.


"It was the best-documented journey of its time, inspiring the imaginations and ambitions of countless adventurers, including Christopher Columbus. Now we, too, can follow in the footsteps of Marco Polo, with guides as vividly exciting and engaging as Marco himself. With both their film and this book Denis and Francis have recreated what Joseph Campbell would have applauded as 'The Hero's Journey.' Come take it yourself and you'll never turn back."
Bill Moyers

Monday, 1 June 2009

Rare portrait of Genghis Khan discovered in 2006 in north China temple


This "old" news I found on the site "Mongolian Matters - News from Mongolia".
Beijing, Aug 24: A rare Thangka portrait of legendary Mongol leader Genghis Khan has been discovered in a Tibetan Buddhist temple in north China`s inner Mongolia autonomous region, a local cultural heritage official announced.

The painting was drawn by a Late Qing Dynasty (1644-1911) Mongolian artist, probably in the nineteenth century, Wang Dafang, an official with the Cultural Heritage Bureau of Inner Mongolia said.

The portrait is painted on a piece of cloth 28.5 cm long and 21 cm wide. The painting shows Genghis Khan in martial attire, riding a white horse and holding a banner in his right hand, with a bow and a quiver of arrows on his back, according to Wang.

Thangka is a Tibetan art form that dates back 1,000 years and which mainly depicts images from Tibetan Buddhism, Wang was quoted as saying by a newsagency."

To put this "old" news more in perspective, the following item is from Welcome2mongolia.com:

More about portraits of Chingis Khan

There are almost no portraits of Genghis Khan,of the ones that exist it is impossible to tell if it is really his likeness. Some researchers consider that his image was either middle Asian or European. In 1368, the Mongols,who were excluded from the Yuan dynasty Capital City, did not take many things because they believed the invading force was returning soon. The Chinese ruined and destroyed the cities including monasteries, houses, buildings, art and books. When the Mongols moved on, the Chinese felt they should destroy their culture .
Still 20th century researchers did know that the rare monuments and papers including Genghis Khan’s portrait, those that remained from the Mongol movement, were hidden by Chinese lords.
Mongolian cultures and arts were ruined during the many battles. In 1924, Chinese marshal Fen Yui Syan conquered Beijing by expelling Manchu Khan Pu Ei. In his house were over 500 pictures including portraits of 8 Mongolian khans and 7 queens. Also there were other treasures connected to the Mongol and Yuan State. New findings have suggested that there was indeed an original picture of Genghis. Mongolian painter, Khar Khasun painted the original portrait in 1287. In the portrait his image was drawn as a man of tall body, the hair on his face scanty and white, with black eyes, brown face, and possessed with great energy.


The only existing portrait preserved until today was painted in 1278, almost a half a century after his death. Khubilai Khan, the grandson of Genghis Khan, ordered artist Khorisun to paint the portrait, and asked some of Genghis Khan’s few remaining trusted men to overlook the painting and make sure it reflects the true image.

Tuesday, 26 May 2009

Alexander The Great Exhibition in the Reiss-Engelhorn Museum Mannnheim


From one of the first travellers from West to East, Alexander the Great, comes a splendid exhibition in the Reiss-Engelhorn Museum In Mannheim, Germany from October 3, 2009 till February 21, 2010.
Alexander the Great and the Opening of the World: Asia’s Cultures in Transition follows the conqueror through Central Asia and focuses on the extensive cultural, economic and social changes unleashed by his passage. The exhibition includes objects lent by Uzbek museums (Samarkand, Tashkent and Ter-mes) and the Tajikistan’s National Museum of Antiquity as well as the Louvre, the British Museum and the Berlin Museums.

Sunday, 24 May 2009

Tang Shipwreck

A 1,200-year-old shipwreck opens a window on ancient global trade.


In the June number of National Geographic again a great story this time from the Tang period.

The following is from the website of www.sentosa.com the owners of the Tang treasure:

The Tang Treasure
The 9th century shipwreck of Arab or Indian origin was laden almost entirely with Chinese trade and imperial ceramics. It was discovered in 1998 in heavily silted international waters between Sumatra and Borneo. Salvaged from the oldest shipwreck found in Southeast Asia, this rare time capsule dating back 1,200 years features some 60,000 well-preserved artefacts of great cultural, archaeological and historical significance. The Tang artefacts have been authenticated by experts from around the world and key pieces are already widely acknowledged to have rewritten maritime history! Today, many renowned historians and collectors are excited to access it and help unravel its many hidden secrets. Singapore's rich sea trading history and geographical position – right at the crossroads of the maritime trading route between Western Indian Ocean and China – make the republic the perfect location to exhibit this magnificent collection of sunken artefacts.


THE TANG TREASURE
The Tang Treasure was discovered in 1998 by Tilman Walterfang in Indonesian waters between Malaysia and Borneo and salvaged from a sunken 9th century Arab or Indian dhow vessel that was probably bound for what is today's Saudi Arabia. These East Asian antiquities – which are causing the world's collecting and museum circles to redefine the boundaries of historical knowledge – make up some 60,000 items intended for trade and an imperial gift. 98% of the collection is made up of ceramic pieces with the balance artefacts made of gold and silver.

This collection was not only meticulously salvaged by stringent archaeological and conservation procedures, but Tilman Walterfang's company Rickshaw Investments has also ensured professional legal licensing and adherence to world salvage processes, even though the waters where the wreck was found are not governed by UNESCO guidelines.

In archaeological terms, the sunken Tang Treasure is generally not regarded as a particularly large collection. However, its significance lies in the rarity of the artefacts within the collection. To retain the integrity of the find, Tilman Walterfang has stipulated that the collection be bid for and purchased as a single lot, despite pressure from several interested parties and auction houses to sell the collection in smaller lots.

Rickshaw Investments' salvage affiliate Seabed Explorations has also paid meticulous attention to historical, archaeological and conservation procedures throughout its operations, unlike standard treasure hunters. It has received top marks from experts who were invited to supervise the processes. News of this discovery only circulated recently because the company had been running the treasures through the painstaking desalination and immersion processes necessary for proper preservation.

Fact Sheet Three

Special significance of the Tang Treasure
This collection of artefacts has been authenticated by experts from around the world and stand out on several counts:

The Tang shipwreck is the earliest South-East Asian ship discovered to date, and only such vessel in the world with a complete load of 9th century cargo. This makes it the largest collection of 9th century artefacts today.
The shipwreck and its cargo map out a seaborne trading route hitherto only speculated about. The overland silk route was common knowledge but this sunken treasure trove establishes China as the first great sea power, 200 years before the Spanish, Portuguese and British had theirs. This sea route is also the longest of that era, not to be surpassed until the Portuguese ventured into Asia in the late 15th century.
It was a known fact that Arab and China were exchanging gifts. However during the 9th century, China's Tang dynasty was paramount. This valuable gift going from China to Arabia further increases the importance of this find. Moreover, many of the gold items have matching pairs, raising speculation of a royal wedding in Arabia. Some of the motifs featured on the artefacts suggest the blending of Arabic and Chinese cultures. Whatever the occasion, the value and immaculate quality of these items demonstrate the fortification of peaceful relations between China and Arabia.
The ship carrying the Tang Treasure featured Arabic ship building technology using Indian timber. This coming together of different cultures has redefined the parameters of our maritime knowledge.
The three well-preserved blue-and-white ceramic plates from the Tang Treasure offer physical proof that this ceramic technology started much earlier than generally thought. This find rewrites the boundaries of our knowledge.

The Valley Of The Khans Project

On November 9 last year I copied an article of the Science Daily about finding the lost tomb of Ghengis Khan by using non-invasive Technologies.
Now there is also a website called The valley of the Khans Project with the latest news about this subject.

To get a feeling with this project, start with this video from end of last year:

Valley of the Khans Expedition Report (November, 2008) from Albert Lin on Vimeo.



Then start listening to Dr. Albert Yu- Min Lin's keynote lecture on March 3, 2009 at UCSD:




Abstract: The story of Genghis Khan has until now been spliced together through a collection of almost entirely secondary source text. It has become understood that throughout his rule, he had introduced an alphabet and central currency, united a kingdom of warring tribes, and had conquered the majority of the known world creating an influence that stretched from Poland to Japan. Yet the mystery that surrounds his death and burial during the summer of 1227 still eludes the world today.

"If the grave exists and if it were ever found, it would create a revolution in archeology, scholarship, cash-flow and, since China claims Genghis as its own, international relations." - John Man, 'Genghis Khan life, death and resurrection,' Bantam Press, 2004.




The objective of this study is to perform a non-invasive archaeological search for the tomb of Genghis Khan utilizing modern tools from a variety of disciplines, including satellite imagery, human computation, computer vision, and non-destructive geophysical surveying. Large arrays of multi-spectral satellite imagery taken of the identified areas of interest are being analyzed to look for possible anomalies within the vast uninhabited landscape of northern Mongolia. These target spots will be subjected to systematic non-invasive geophysical surveying, and electro-magnetic induction (EMI), magnetometry, and ground penetrating radar (GPR) are the geophysical tools that will be applied. Leveraging super-resolution techniques designed to assemble high resolution, high quality digital images from multiple lower resolution images we hope to contribute to the advancement of these tools.

Calit2's extensive research scope provides the perfect platform for this high-tech approach. Massive-scale visual analytics is conducted on Calit2's 1/3rd gigapixel resolution HIPerSpace display and StarCAVE, while analysis through web based human computation platforms are being applied to the overwhelming amount of data. By defining the landscape and creating a baseline of information through the noninvasive imaging we hope to contribute to the knowledge of Genghis Khan and his tomb, which today remains undiscovered, a time capsule into the days of birth of the modern world.

Friday, 22 May 2009

Along the Silk Road in 1905



This article and photograph, I found at daughterofthegoldenwest.blogspot.com !!!

This is from a series of photographs taken by one of the pioneers of color photography, Sergei Prokudin Gorsky. who was sponsored by the Tsar to document life in the Russian Empire.

His lengthy travels took him to Samarkand, the second largest city in Uzbekistan, an historic city that occupied an important position on the Silk Road, between China and the West. In 1220 it was sacked by Mongols under the leadership of the legendary Genghis Khan and didn't come under Russia control until 1868. Today, Samarkand is one of the oldest inhabited cities in the world.

This 1905 picture was originally taken through three different color filters that were later projected together and combined to create the final print. It shows a group of Jewish students and their teacher.

The image is courtesy of the Prokudin-Gorsky collection in the Library of Congress.

Thursday, 21 May 2009

La Route de la Soie' (Silk Road) at the Royal Museums for Art and History, from 23 October 2009 to 14 February 2010


Two wood vases of Western Xia- era silk flowers, discovered in 1986 at the Baisikou twin pagodas in Ningxia.

Pre announcement:
La Route de la Soie' (Silk Road) at the Royal Museums for Art and History in Bruxelles, Belgium, from 23 October 2009 to 14 February 2010

Legends of the Silk Road- Treasures from Xinjiang


I nearly missed this exhibition (December6, 2008- March 15, 2009) in the National Museum of History in Taipei, Taiwan, one of the three big exhibitions this year about the Silk Road this year ( in Sint Petersburg, Taipei and Bruxelles).

The following article is from the website of the museum:


The Silk Road was a trade route that extended for over 7,000 kilometers to connect Asia and the Mediterranean region, starting in the east in Changan (or Luoyang) and ending in the west at Constantinople, the capital of the Eastern Roman Empire. This route passed over mountains, deserts, grasslands, and oases to connect Asia and Europe. It passed through the mighty cross-continental empires of Persia, Macedonia, Rome, and the Ottoman, and many great political and military events of the ancient world are connected to it. This road also spread religions that have influenced billions of people—Buddhism, Christianity, and Islam. The Silk Road spanned over 1,700 kilometers inside China. In the pre-Qin times, many tribes lived in northwestern China and many kingdoms rose and fell in China’s historical border region. In this place called the “Western Territory” in ancient times, an ethnically diverse civilization developed. During the Han and Tang Dynasties, many ethnic groups moved to the northwest and became increasingly powerful. In the time of Han Emperor Wudi, Zhang Qian went to open up the Western Territories, and the campaigns into the Western Territories led by Wei Qing and Huo Qu-Bing finally opened up a road to the Western world. This road sent silk and ceramics from China and gradually brought the civilizations of the Western world into China. This gave it the name of the Silk Road, and its peak period was seen during the Tang Dynasty.

The Xinjiang Uyghur Autonomous Region is located at the vital hub of the Silk Road, and because of its dry climate and special geographical conditions, many thousands of ancient artifacts have been unearthed in good condition by archeologists. There are Loulan beauties, Xiaohe Culture relics and pre-Qin metal vessels, Han and Jin textiles, Wei and Jin wall paintings, and Tang Dynasty silk paintings, which reflect the grandeur of the desert frontier of the ancient Western Territories. These all have great value in terms of the academic study of the trade, transportation, diverse ethnic civilizations, and Chinese-Western interchange of the Silk Road. The artifacts unearthed in Xinjiang are amazing and priceless, and they have been exhibited many times in foreign countries in North America, Europe, and Japan, where they have been seen by millions of visitors.

This exhibition was nine years in the planning, and it will finally be officially opened on December 6 this year, with the cooperation of Media Sphere Communications. The museum has divided its exhibit introductions of the 150 items unearthed by archeological study into five categories based on the cultural features of the artifacts—“The Beauty of the Silk Road,” “The Traces of the Silk Road,” “The Wonders of the Silk Road,” “The Ancient Kingdoms of the Silk Road,” and “The Gods of the Silk Road.” The most important exhibits are the “Loulan Beauty” mummy and the Turpan artifacts from the Tang Dynasty, which are being exhibited for the first time. There are also many other types of objects that give one a glimpse of the beautiful scenes of the ancient world. The assistance of Director Sheng Chun-Shou of the Xinjiang Uyghur Autonomous Region Bureau of Artifacts, Director Zhang Yu-Zhong of the Xinjiang Uyghur Autonomous Region Archeology Academy, Director Tian Xian-Hong of the Xinjiang Uyghur Autonomous Region Museum, and General Manager Li Mei-Ling of Media Sphere Communications, as well as the hard work of our museum staff have contributed greatly to our achievement in bringing this exhibition to fruition.. I would like to take this opportunity to express my deepest thanks and the wish that the exhibition will be a complete success.

Tuesday, 19 May 2009

Recent Re-Evaluations of Chinggis Khan and Kubilai Khan


THURSDAY, APRIL 23, 2009

The following article I found at the Blog " This Month in Mongolian Studies" written by Brian White from the American Centre for Mongolian Studies.

I'm not an real expert on this subject but 've read a lot of books, older ones and recent ones about Mongols and Chinggis Khan and agree with Dr. Rossabi that in literature one can observe the same trend of emphasizing the negatives, 20/30 years ago and emphasizing the positives in most literature, published around his 800th birthday.


Re-evaluating Chinggis Khaan
Dr. Rossabi gave his lecture yesterday evening entitled: Recent Re-Evaluations of Chinggis Khaan and Khubilai Khan. Before the lecture the School of Foreign Service at the National University of Mongolia conferred on him the title of "Honary Doctor" and presented him with a doctoral robe, medal, and diploma. It was a well attended event with more than 60 people.

If anyone expected Dr. Rossabi to pull punches during his lecture out of deference to the occasion, they were proven wrong. He gave a rather candid reassessment of his book Khubilai Khan and the recent deification and "vulgarization," as he put it, of the popular image of Chinggis Khaan. It was a brave position to take given the politics involved, but he expressed his concern about exalting the positives of the Mongol Empire and attempting to conceal the negatives of the Mongol conquests. Noting that, of course, this is a response in some respect to a long history in the West of portraying the Mongols unfairly, still he insisted that honest and factual examinations of history are of paramount importance in scholarly research. The facts indicate that there were positives and negatives associated with the Mongol conquests of Eurasia.

It was not an easy argument to make, especially in Mongolia. It made me think of someone standing in front of a group of Americans and suggesting that the way forward in truly understanding American history is accepting, even embracing, the uncomfortable facts about slavery. For many people that would be tantamount to heresy, and in Mongolia suggesting that Chinggis Khaan was a great leader but he was also a ruthless and brutal leader can be very dangerous, indeed. I think Dr. Rossabi was making a very trenchant observation about the need for all people to embrace both the positives and negatives of their history in order to give lasting resilience and credibility to the image that is presented to the rest of the world. Americans who ignore the legacy of slavery risk being branded hypocrites on issues of human rights, and Mongolians who ignore the brutality of the Mongol conquests risk having people not believe the factual positives of Mongol rule.

Dr. Rossabi also added that in re-evaluating Mongolian history, he is somewhat troubled by the fact that other great Mongolians are often neglected in the national consciousness. Mongolian currency, for example, has images of Chinggis Khaan and Sukhbaatar, but not of Natsagdorj, Zanabazar, or others. But, at the same time, he said it was understandable because Chinggis Khaan and Sukhbaatar are Mongolia's great generals, and other countries also find it hard to give space to leaders of the arts and sciences. Hero worship of military leaders is a common phenomenon around the world. I remember the first time I saw a German 5 Mark bill and it had a portrait of Carl Friedrich Gauss. I was impressed to see a mathematician receiving such an honor. But, maybe Germany is one place generals are best left unremembered. In the rest of the world we have a tendency to measure greatness in terms of conquest of the physical environment as opposed to the human mind.

Overall the lecture was enjoyable, most especially for Dr. Rossabi's candid thoughts. He certainly elicited numerous questions at the end of the lecture which poured into the reception afterwards. Congratulations to you Dr. Rossabi for your award and thank you for an informative lecture.

Monday, 18 May 2009


From the site of Museen Dahlem in Berlin we copied the following exhibition news:
1 April - 1 September 2009

If you don't want to read, watch the video from CCTV.com



The newly opened Chinese Cultural Centre (Berlin, Tiergarten) is organising an important exhibition on the art of the world renowned Mogao Caves in Dunhuang at the eastern hub of the Silk Road. Copies of two of the rock-cut temples have been recreated to original size and are now to go on view for the first time in Berlin.

Concurrent to the Musée Guimet's activities in Paris, the Museum of Asian Art is planning to host an exhibition to accompany the project, in which objects from the famous Turfan Collection will go on show to reveal the various close ties between the oasis towns of the Northern Silk Road. These objects are visually stunning and include silk fragments with ornamental patterns, fragments of paintings adorned with gold and clay sculptures. The accompanying texts in the exhibition rooms will shed new light in elucidating the close ties between the various workshops and reveal the cultural exchange that occurred in terms of iconography and style.

Going towards the concept entitled ‘On the way to the Humboldt Forum', this small exhibition will also serve as a model of things to come: as a joint cooperation not only with the new Chinese Cultural Centre in Berlin, but also with the Turfan Studies Academy Project of the Berlin Brandenburgische Akademie der Wissenschaften. Experts from the field of Turfan studies will place texts (manuscripts) and pictures in their relation to each other which will serve to guide people round the exhibition.

Until the middle of 2009, the International Dunhuang Project (IDP-CREA) will also be accessible on-line with a host of original photos, glass plate slides and drawings from the important historical photo collection available on the websites of the International Dunhuang Project (British Library, London) and our own picture archive.

The temporary show also accompanies the exhibition, ‘Transformations of Compassion - The Metamorphosis of a Buddhist Holy Figure', which is on display in the adjoining room.


In 2005, the curator (Dr. Lilla Russell-Smith) published a book on this particular subject (entitled: ‘Uygur Patronage in Dunhuang: Regional Art Centres on the Northern Silk Road', Leiden: Brill), and now for the first time ever, by way of several concrete examples, many interesting findings from her many years of research will also be made available to the wider general public.

On the Trail of Texts Along the Silk Road: The Russian Expedition's Discovery of Manuscripts in Central Asia

Kyoto National Museum
July 14 to September 6, 2009


This is a continuation of the exhibition shown in St Petersburg from December to April (details in IDP News 31 and in my weglog from January), showcasing many of the manuscripts discovered on the Russian explorations in Central Asia.

The poster itself, announcing the exhibition is a jewel by the way !!!


Thursday, 14 May 2009

SILK ROAD NEWSLETTER VOLUME 6 NUMBER 2



It has taken a while but it is out again, the latest issue of the Silk Road Newsletter from the Silk Road Foundation ( but in fact from Daniel Waugh, Editor Professor Emeritus, University of Washington, Seattle).

65 pages with new articles which can't be found anywhere else.
For the full text click: Silk Road Newsletter Volume 6 Number 2.



CONTENTS:



Korea and the Silk Roads,
by Staffan Rosén 3
The connections of Korea with the Silk Road often have been ignored. Objects buried in Korean tombs, especially those of the Silla Dynasty period, indicate important connections between the Korean peninsula and the cultures to the north and west. In particular there is evidence of connections with shamanistic traditions of peoples in North Asia. Also, there are imported objects such as glassware from West Asia.


Alexander the Great and the Emergence of the Silk Road,
by Yang Juping 15
It is common in explaining the origin of the Silk Road to cite the initiatives of Han Emperor Wudi, who sent his envoy Zhang Qian to the west in the 2nd century BCE. This article argues that the conquests of Alexander the Great in the 4th century BCE and the consequent spread of Hellenistic culture to the East were of equal significance in preparing the way for the opening of the Silk Roads.


Centaurs on the Silk Road: Recent Discoveries of Hellenistic Textiles in Western China,
by Robert A. Jones 23
Among the spectacular archaeological finds of recent decades in the Tarim Basin are wool textiles, some of which are decorated with Hellenistic motifs. This article explores the possible connections of two such finds, from Sampul and from Yingpan. The focus is on the artistic analogies in the Hellenistic West.


Dialogue among the Civilizations: the Origin of the Three Guardian Deities' Images in Cave 285, Mogao Grottoes,
by Zhang Yuanlin 33
Mogao Cave 285 at Dunhuang is known for its complex “multi-cultural” imagery. The author argues that key imagery on the west wall of the cave (in particular the depictions of sun and moon deities and of Maheshvara) and some of the donor identifications point to possible Sogdian involvement in the decoration of the cave.

Eighteen Songs of a Nomad Flute: Possible Religious Symbolism within the Late-Song Paintings,
by Lauren Arnold 49
The Eighteen Songs of a Nomadic Flute concern the tragic tale of a Han princess who was taken captive by the Xiongnu, raised a family among them, and then had to leave her family behind and return to China. This episode was the subject of paintings, whose dates have been disputed. The author argues for a date in the middle of the 13th century, at a time when in China details of nomadic culture would have been well known and when a presence of Eastern Christians among the Inner Asian nomads might help explain why cross motifs are to be found in the carpets the paintings depict.


Shrine Pilgrimage among the Uighurs,
by Rahilä Dawut 56
Pilgrimage to Islamic shrines is an important feature of Uighur culture in southern Xinjiang. The author describes a range of such shrines and explains the specifics of worship at them. She emphasizes the likely connection of the Islamic shrines and worship with pre-Islamic shamanistic and Buddhist beliefs in the same regions.

IDP Newsletter No. 32 is out !!!

Out allready for some weeks is the latest newsletter (No.32) from IDP (The International Dun huang Project).

For anyone with a serious interst in Silk Road related articles a MUST read.


The contents of this issue in headlines is following:

- Archaeology in Xinjiang
- A Century On: Documenting Archaeological Sites in Xinjiang
- Berlin Researchers in Turfan
- New Discoveries and Research on Khotan
- Celebrating the 2009 International Year of Astronomy
- Understanding the Dunhuang Star Chart
- Recent Publications on Xinjiang Archaeology and Travel
- Exhibitions
- IDP UK

Go straight to the IDP newsletter by clicking: IDP

NOBLE TOMBS AT MAWANGDUI: Art and Life in the Changsha Kingdom


















Lacquer Flanged Cup with Cloud Pattern and Inscriptions "Jun Xing Jiu" and "Si Sheng," Western Han dynasty (206 BCE - 9 CE). Paint, wood, 27.5x 22.3 cm. Excavated 1972, Han Tomb I, Mawangdui, Changsha, Hunan Province. Hunan Provincial Museum.



It's a pity, when living in Europe that many of the finest exhibitions are on tour solely in the USA. This exhibition is no exception. It has started in the China Institute Gallery in New York and will go to the Santa Barabara Museum of Art from September 19 till December 13, 2009.Many can still remember the first photo's and reports in the magazines and the papers about the sensational find of the tomb of Lady Dai

Treasures for the Afterlife on View at China Institute Gallery from
February 12 through June 7, 2009





New York, December, 2008—More than two thousand years ago, a Chinese marquis and his family began their plans for the afterlife with three lavish tombs in Hunan Province which were excavated in the 1970s. Their extraordinary existence will come to life in NOBLE TOMBS AT MAWANGDUI: Art and Life in the Changsha Kingdom, Third Century BCE to First Century CE at China Institute Gallery from February 12 through June 7, 2009. For the first time in the U.S., nearly 70 treasures including bronze sculptures, lacquer ware, jade ornaments, seals, wood carvings and silk costumes will be on view from the Hunan Provincial Museum. A fully-illustrated bilingual catalogue will accompany the exhibition.

The excavation at Mawangdui in Hunan Province in Southeastern China is considered one of the major archaeological discoveries of the 20th century. Containing the remains and possessions of the Marquis of Dai and his wife and son, the tombs were found between 1972 and 1974 in the archaeological site of Mawangdui, which is located in a suburb of the modern city of Changsha. More than 3,000 objects from the Western Han dynasty (206 BCE to 25 CE) were found in nearly perfect condition representing the highest levels of workmanship.

“People during the Han dynasty regarded death as birth and longed for immortality,” notes Willow Hai Chang, Director, China Institute Gallery. “To prepare for the afterlife, they constructed their tombs to be eternal residences. As a result of this landmark excavation, we now have a rare window into the fascinating Han civilization through these remarkable objects of the highest artistry.”




Exhibition Highlights
Among the highlights of NOBLE TOMBS AT MAWANGDUI: Art and Life in the Changsha Kingdom, Third Century BCE to First Century CE are five charming wooden figurines of musicians which seem to form a small family band and perhaps indicate the importance of song and dance to the tomb occupant. The figures are painted in black and vermilion to depict their faces and colorful gowns.

Also indicating the importance of music to the family, the exhibition includes a seven-stringed qin, a musical instrument first played for entertainment and then as a solo instrument played by scholar-poets to “harmonize the emotions.” By the Song dynasty (960-1279 CE), qin-playing was among the “four accomplishments” of the scholar-gentleman along with painting, calligraphy and Chinese chess. In literati belief, the qin went beyond all other forms of art – musical or visual – in its mysterious power to harmonize the soul and purify the mind. The is the first Han dynasty qin ever discovered in China and the first “half box shaped” qin ever seen.

A two-tiered cosmetic box containing nine small boxes is thought to have belonged to Lady Dai. The outer surface of the box is coated with black lacquer and then affixed with patterned gold foil. The interior of the box is coated with vermilion lacquer. The top tier of the box contained a silk scarf, a belt and a silk mirror case with embroidery representing longevity. The nine small boxes in the lower tier contained items that can be found on many women’s dressing tables: cosmetics, rouge, silk powder pads, combs and a needle case.

The exhibition also offers extraordinary textiles including an example of gauze with a printed and painted design which represents the world’s earliest silk fabric combining both printing and painting discovered to date. The design depicts a plant with vines, buds, flowers and leaves, reflecting an extremely advanced level of technique. Another piece of stunning gauze is printed with a flame pattern in gold and silver representing the earliest silk fabric printed in three color block printing.

The tombs at Mawangdui contained a stunning amount of information in the form of books and tablets on health, well-being, and longevity. One tablet inscribed with Chinese characters refers to dried soybean seeds that have germinated and were used in the treatment of headache, paralysis, asthma and other health problems. Also found was a book, Prescriptions for Maintaining Health, which was written on silk and contains 32 different medical prescriptions including advice on sexual relations. Both the tablet and sections from the book are included in the exhibition.

The exhibition is curated by Chen Jianming, Director, Hunan Provincial Museum, who also edited the catalogue, and is organized by Project Director Willow Hai Chang, Director, China Institute Gallery.

If you want to find out more about Mawangdui, watch the following movies ( in Chinese !!)

Discovery Mawangdui
Han Tomb unearthed at Mawangdui

Sunday, 15 March 2009

Genhis Khan in the Houston Museum of Natural Science












Siege of Xixia

Genghis Khan

February 27 - September 7, 2009

Born with nothing, he rose to become the most powerful man of his time, conquering nations to build the largest empire the world had ever seen.
Exhibition in the Houston Museum of Natural Science, organized by Genghis Khan Exhibits, Inc. in cooperation with the Ministry of Education, Culture and Science, Ulaanbaatar, Mongolia, The National Museum of Mongolian History, The Institute of Archaeology of the Mongolian Academy of Sciences, The National Library of Mongolia, The Military Museum of Mongolia, The Dornod Province Museum and The State Hermitage Museum, St. Petersburg, Russia.

Genghis Khan's name is legend, as his brutality. During his reign, he conquered three times more land than either Julius Caesar or Alexander the Great. But Genghis Khan was much more than a barbarian. In fact, it was Genghis Khan who first created national parks, the postal system, international law and the borders of modern nations. His Empire was the safest and most tolerant of lands. We can trace hamburgers, skis, passports, charcoal and even pants to this renowned warrior.

Discover the real Genghis Khan, in a new special exhibition featuring the largest number of artifacts from his reign ever gathered, including a newly discovered mummy and tomb treasures.

“Although he was often referred to as a brutal killer, Genghis Khan achieved his victories through brilliant tactics, earning him a well-deserved reputation as a military genius,” said Dirk Van Tuerenhout, curator of anthropology of the Houston Museum of Natural Science. “Yet, this special exhibition presents a new image of the legendary leader. He developed a great number of improvements for the Mongol Nation. For instance, he built bridges and roads to help trade with other countries and created Mongolia’s first written language. Many of his innovations are still in use today.”




















Queen's Hat Ornament

In Genghis Khan, delve into an immersive recreation of scenes from the Khan’s empire, from the lush grasslands to his extensive capital in the largest-ever presentation of 13th century treasures, many which might have been used during the Khan’s empire. Approximately 200 spectacular artifacts will be on display, including Mongolian costumes, headdresses and instruments from the National Museum of Mongolian History; and imperial gold, metal ornaments, beads, a tombstone and more from Russia’s State Hermitage Museum.

However, telling the tale of Genghis’ life and his contributions to world culture takes far more than precious artifacts. The exhibition offers visitors innovative role-playing, archaeological excavation, Mongolian music and costumes, and special effects to create the exotic atmosphere of ancient Mongolia.

Undoubtedly, one of the exhibit’s most attention-drawing displays is the mummified murder victim, recently uncovered in a Mongolian cave. The mysterious mummified nomad will be on display when Genghis Khan opens to the public February 27 through September 7, 2009.

Saturday, 3 January 2009

The Caves of a Thousand Buddhas: Russian Expeditions to Chinese Turkestan

























The State Hermitage Museum, St Petersburg, Russia
December 12, 2008 to April 5, 2009

More than 300 items including sculptures, wall painting fragments, woodcuts, ancient manuscripts as well as expedition documents, photographs, maps and drafts brought by the Russian explorers from the Silk Road are on display, many for the first time. The exhibition is accompanied by a catalogue and by a collection of papers.

The exhibition is prepared by the State Hermitage Museum jointly with the Institute of Oriental Manuscripts of Russian Academy of Sciences.

For more information see the website.

Monday, 10 November 2008

Hidden treasures of the Silk Road



From November 22 till December 15 2007 (Last year) in Budapest, in the exhibition hall of the Hungarian Academy of Sciences was an exhibition of the Oriental Collection of the Library of the Hungarian Academy of Sciences on the 100th anniversary of the discovery of the Dunhuang Library Cave.
As with the exhibition about Aurel Stein a beautiful website was made with a lot of ( well known) information but also with a lot of not so frequently shown photo's.
A must: Hidden Treasures of the Silk Road.

Sunday, 9 November 2008

Finding Hidden Tomb Of Genghis Khan Using Non-Invasive Technologies



According to legend, Genghis Khan lies buried somewhere beneath the dusty steppe of Northeastern Mongolia, entombed in a spot so secretive that anyone who made the mistake of encountering his funeral procession was executed on the spot.

Once he was below ground, his men brought in horses to trample evidence of his grave, and just to be absolutely sure he would never be found, they diverted a river to flow over their leader's final resting place.
What Khan and his followers couldn't have envisioned was that nearly 800 years after his death, scientists at UC San Diego's Center for Interdisciplinary Science in Art, Architecture and Archaeology (CISA3) would be able to locate his tomb using advanced visualization technologies whose origins can be traced back to the time of the Mongolian emperor himself.
"As outrageous as it might sound, we're looking for the tomb of Genghis Khan," says Dr. Albert Yu-Min Lin, an affiliated researcher for CISA3. "Genghis Khan was one of the most exceptional men in all of history, but his life is too often dismissed as being that of a bloodthirsty warrior. Few people in the West know about his legacy — that he united warring tribes of Mongolia and merged them into one, that he introduced the East to the West making explorations like those of Marco Polo possible, that he tried to create a central world currency, that he introduced a written language to the Mongol people and created bridges that we still use today within the realm of international relations.
"But as great a man he was, there are few clues and no factual evidence about Genghis Khan's burial, which is why we need to start using technology to solve this mystery."
Lin and several colleagues — including Professor Maurizio Seracini, the director of CISA3 and the man behind the search for Leonardo da Vinci's lost "Battle of Anghiari" painting — are hoping to use advanced visualization and analytical technologies available at the California Institute for Telecommunications and Information Technology (Calit2) to pinpoint Khan's tomb and conduct a non-invasive archaeological analysis of the area where he is believed to be buried. Lin plans to work with Seracini to establish a position at UCSD that will allow him to spearhead the three-year Valley of the Khans project, which will require $700,000 in funding for eight researchers (including all expedition costs).
Khan's grave is presumably in a region bordered by Mongolia's Onon River and the Khan khentii mountains near his birthplace in Khentii Aimag, and some experts believe his sons and other family members were later buried beside him. The researchers, however, have little additional information to go on. Directly following Khan's death in 1227, the area around his tomb was deemed forbidden by the emperor's guards, and later in the 20th century, by strict Russian occupation, which prohibited Mongolians from even talking about Genghis Khan because they felt it might lead to nationalist uprising. Only since the 1990s have researchers been allowed in the area, and several other research teams have tried unsuccessfully to locate the tomb.
Lin hopes of success are based on his access to unparalleled technology at Calit2 and CISA3 to pinpoint the area where Khan might have been laid to rest, find the tomb itself and then develop a virtual recreation of it using various methods of spectral and digital imaging.
Explains Lin : "If you have a large burial, that's going to have an impact on the landscape. To find Khan's tomb, we'll be using remote sensing techniques and satellite imagery to take digital pictures of the ground in the surrounding region, which we'll be able to display on Calit2's 287-million pixel HIPerSpace display wall. But we also want to make this an interactive research project and get the public involved. One of our ideas is to utilize something like the International Space Station's 'EarthCam' program at UCSD, which recruits middle school students to control a satellite camera and take pictures of the earth. We'd have them do the same thing, only they'd be taking pictures of the area where Genghis' tomb might be located."
Lin says another approach would be to combine social networking with visualization techniques to replicate something like the online "Find Steve Fossett" project, which enlisted members of the general public to flag anomalous satellite images in the hopes that they could locate the missing adventurer.
"Once we've narrowed down this region in Mongolia to a certain area," Lin continues, "we'll use techniques such as ground penetrating radar, electromagnetic induction and magnetometry to produce non-destructive, non-invasive surveys. We'll then work with people in UCSD's electrical engineering department to develop visual algorithms that will allow us to create a high-resolution, 3-D representation of the site."
Notably, these computer-based technologies are modern evolutions of moveable type and the printing press — innovations that historian Jack Weatherford argues were spread by way of the Mongols as they conquered parts of Europe (Chinese printing technologies predated Gutenberg's printing press by several hundred years). Lin speculates that remnants of those international conquests might even turn up in Khan's tomb, but, he adds, "The process of doing an archaeological dig is up to the Mongolian government."
Lin says he's hoping to collaborate with the Mongolian government and national universities, through the help of Amaraa and Bayarsihan Baljinnayam — siblings from what he endearingly calls his "Mongolian family." They will assist with language interpretation and expedition coordination, and most importantly, local media and political support — connections that will prove very useful as Lin navigates through the often complex arena of international relations.
Noting that his project team also includes San Diego State University Professor of Chemistry and Biochemistry William G. Tong, UCSD Field Systems Engineer Nathan Ricklin, UCSD Computer Vision Engineer Shay Har-Noy and Independent Engineering Geologist Charles Ince, Lin says he sees parallels between the collaborative work he's doing with CISA3 and Genghis' own push to adapt to new technologies.
"He took the best resources of entire world — whether weaponry or medicine -- and adopted those technologies into his own methodology. We're trying to implement that same adaptation to many disciplines into our own work. We're taking the great work that's already been done in archaeology and further developing it by using technologies from other disciplines -- computer vision, social networking, electrical engineering — while at the same time never forgetting fundamentals of historical search.
Despite the technologies and expertise available to him, Lin says he is well aware of the great challenges the project poses. "One consistent fact is that there is no fact," he admits. "It's a story of secrets upon secrets and myths upon myths.
"If I could meet Genghis Khan today, I would ask how he would have wanted to be remembered in history," Lin muses. "The fact that he died in his bed surrounded by people who loved him and never had a single General turn his back on him, the fact that the loyalty of his people is so sound it can be heard across the world — these are the marks of one of the most impressive military heroes of all time. This is an example of a leader who was ruthless, strict, disciplined, and in a lot of ways, extremely honorable. If he was able to rewrite his own history, I wonder how he'd want it heard."

Source; ScienceDaily (Oct. 20, 2008) —

Saturday, 8 November 2008

Aurel Stein in the spotlight !!!


The internet is a delightful medium. Positioned behind your screen in your comfortable armchair in a split of a second you can travel back in time to the fascinating and adventurous time at the beginning of the 20th century.
Due to an exhibition in Hong Kong the library of the Hungarian Academy of Sciences has made and published from the photographs, maps and letters of the Aurel Stein's bequest a superb website through which anyone who was not there in Hong Kong can visit this exhibition at any moment of the day ( or night).

To go to this exhibition, click on: Fascinated by the Orient: Aurel Stein 1862-1943.

New IDP News Issue No. 31



For anyone with a serious interest in the Silk Road and related topics everytime a seious reading MUST!!
A brief summary of the contents of the October 2008 issue:

* IDP-CREA Cultural Routes of Eurasia
* IDP-CREA Partners and Activities
* Western Eyes: An Exhibition of Historical Photographs of China taken by European Photographers, 1860–1930
* The Conservation of an Eighteenth Century Chinese Tao
* IDP Worldwide News
* Recent Publications
* Kashgar Project
* Erik Zürcher 1928–2008
* IDP UK

Just click IDP to go to the latest issue of their news bulletin.

Friday, 3 October 2008

Guardians to the King


Also small exhibitions are fun f.i. this one in Colchester !!

Chinese terracotta figures that are more than 2000 years-old are going to be displayed in Colchester Castle Museum.

The Jiangsu Terracotta Figures in ColchesterColchester museums have won a major exhibition for this coming summer. The Jiangsu Terracotta Figures from China are going to be displayed in Colchester Castle Museum

Figures from Chinese Han Dynasty period
The 43 miniature statues from Xuzhou Museum in Jiangsu Province, are going to be displayed as part of a year-long festival which celebrates 20 years of friendship between Essex and Jiangsu.


The figures are from the funerary objects of a king who ruled China from 206BC to 24AD and are from the same tradition as the slightly older terracotta warriors from Xian which have recently been on display at the British Museum.

The exhibition will be on display in Colchester between July, 19 and November, 2, 2008.

Saturday, 20 September 2008

New light on invasion Vietnam by Kublai Khan



The following press release was issued this June 2008 by Flinders University, Adelaide, Australia:


Maritime archaeologists from Flinders University hope to shed new light on a fierce 13th century battle fought by the Vietnamese against the invading fleet of China’s emperor Kublai Khan.

A recent visit to Vietnam by Associate Professor Mark Staniforth and Flinders PhD student Jun Kimura viewed areas that still contain the remnants of the pointed stakes that were fixed into the riverbed and along the banks by the Dai Viet defenders.

Vietnamese general Tran Hung Dao defended the mouth and lower reaches of the Bach Dang River, which at the time connected the coast with the capital of Hanoi, by filling expanses of the estuary with the stakes, with the aim of holing or trapping Chinese vessels as the tide fell.

Associate Professor Staniforth said that he and Jun Kimura are keen to be involved in fieldwork that will map the extent and shape of the stake fields, in a bid to provide insights into the Dai Viet strategy and the likely course of the battle. Their work may also point to the likely location of the wrecks of Chinese ships.

With a view to setting up the proposed project for 2009, Associate Professor Staniforth discussed possible collaborations in Vietnam with Dr James Delgado, the CEO and President of the US-based Institute for Nautical Archaeology (INA). Jun Kimura has made initial contact with Vietnamese government’s Institute of Archaeology seeking their collaboration in the project.

Contemporary accounts of the battle in 1288 relate that large numbers of a massive fleet of Chinese junks were destroyed. Even allowing for exaggeration by the victors, the battle was decisive, and Associate Professor Staniforth said that once the dimensions of the stake fields have been fixed, there is a good possibility that remote sensing techniques may be used to find wrecked Chinese vessels.

While in Vietnam, Associate Professor Staniforth and Jun Kimura also assisted in an INA project, initiated by INA research associate Randall Sasaki, to record and assess a pair of historic anchors. Locals retrieved the seagoing anchor and mooring anchor, both made of wood and reinforced with iron and rope, from the Red River near Hanoi.

Associate Professor Staniforth said that the state of preservation and comparisons with other examples and historical drawings suggests that the anchors date from the 18th or 19th centuries rather than the medieval period, but that carbon dating would settle the matter.

Friday, 19 September 2008

Kublai Khan's Lost Fleet and In Little Need of Divine Intervention

In 2001 a book by Thomas D. Conlan was published which deals with the invasion of Japan by the forces of Kublai Khan. This book, In Little Need of Divine Intervention presents a fundamental revision of the thirteenth-century Mongol Invasions of Japan by revealing that the warriors of medieval Japan were capable of fighting the Mongols to a standstill without the aid of any "divine winds" or kamikaze. Conlan's interpretation of the invasions is supplemented with translations of the picture scrolls commissioned by Takezaki Suenaga, a warrior who fought against the Mongols. In addition, translations of nearly seventy administrative documents are provided, thereby enabling students of Japanese history reconstruct the invasions using contemporary sources. A rare copy of Takezaki Suenaga's Scrolls, reproduced in full, reveals hitherto unknown missing scenes. Furthermore, the scrolls' images can be now read in tandem with its narrative passages, translated in English for the first time. Please note that the entire book was intentionally printed from back to front, so that the reproduced scrolls unfold in Japanese order, from right to left. Thus the book's spine is on the right. This monograph will prove to be of great interest for students and scholars of medieval Japanese history, warrior culture, and the nature of Japan in an East Asian context. Seven hundred years ago the world was dominated by one superpower, the Mongol Empire. Only one conquest still eluded their leader, Khublai Khan - the mystical islands of Japan. To seal his place in history, he constructed the biggest invasion force the world has ever seen, a fleet of more than 4,400 ships. But at this pivotal moment in world-history the fleet vanished without a trace. What force destroyed the Mongol armada? Was it the legendary Japanese samurai? Human error? Or a natural disaster of catastrophic proportions? Now a Japanese marine archaeologist believes he has found the Mongol fleet. With an array of the latest marine forensic technology, he is revealing chilling new insights into the events of that fateful day. Can science finally solve the mystery of Khublai Khan's Lost Fleet?«


If you want to find out more about this subject, watch the documentary Kublai Khan's Lost Fleet !!

Thursday, 18 September 2008

Chinese Handscrolls


















Chinese Handscrolls are among the most beautiful items of art, both for their finesse and detail and for their size and abundance of information about life and customs in general at the time that they were made.
At the other hand they are quite unknown to the general public.
This has to do with the fact that they are in a way quite rare and seldom available to the general public for viewing.

In 2006 in Musee Guimet in Paris there was a brilliant exhibition, called The Very Rich Hours of the Court of China / Masterpieces of Qing Imperial Painting .
At this exhibition some of the masterpieces of Chinese Handscrolls were assembled for viewing by the general public.

On the web, there are a few sites dedicated to the subject of Chinese Handscrolls (see further on this weblog).
A very good introduction to the phenomenom of the Chinese Handscrolls however, one can find at the site of the Metropolotan Museum of Art in New York .
The main story from this site by Dawn Delbanco from the Department of Art History and Archaeology, Columbia University you will find reproduced below:




Story by Dawn Delbanco of the Department of Art History and Archaeology, Columbia University
A significant difference between Eastern and Western painting lies in the format. Unlike Western paintings, which are hung on walls and continuously visible to the eye, most Chinese paintings are not meant to be on constant view but are brought out to be seen only from time to time. This occasional viewing has everything to do with format.
A predominant format of Chinese painting is the handscroll, a continuous roll of paper or silk of varying length on which an image has been painted, and which, when not being viewed, remains rolled up. Ceremony and anticipation underlie the experience of looking at a handscroll. When in storage, the painting itself is several layers removed from immediate view, and the value of a scroll is reflected in part by its packaging. Scrolls are generally kept in individual wooden boxes that bear an identifying label. Removing the lid, the viewer may find the scroll wrapped in a piece of silk, and, unwrapping the silk, encounters the handscroll bound with a silken cord that is held in place with a jade or ivory toggle. After undoing the cord, one begins the careful process of unrolling the scroll from right to left, pausing to admire and study it, shoulder-width section by section, rerolling a section before proceeding to the next one.

The experience of seeing a scroll for the first time is like a revelation. As one unrolls the scroll, one has no idea what is coming next: each section presents a new surprise. Looking at a handscroll that one has seen before is like visiting an old friend whom one has not seen for a while. One remembers the general appearance, the general outlines, of the image, but not the details. In unrolling the scroll, one greets a remembered image with pleasure, but it is a pleasure that is enhanced at each viewing by the discovery of details that one has either forgotten or never noticed before.

Looking at a handscroll is an intimate experience. Its size and format preclude a large audience, which usually is limited to one or two. Unlike the viewer of Western painting, who maintains a certain distance from the image, the viewer of a handscroll has direct physical contact with the object, rolling and unrolling the scroll at his/her own desired pace, lingering over some passages, moving quickly through others.

The format of a handscroll allows for the depiction of a continuous narrative or journey: the viewing of a handscroll is a progression through time and space—both the narrative time and space of the image, but also the literal time and distance it takes to experience the entire painting. As the scroll unfurls, so the narrative or journey progresses. In this way, looking at a handscroll is like reading a book: just as one turns from page to page, not knowing what to expect, one proceeds from section to section; in both painting and book, there is a beginning and an end.

Indeed, this resemblance is not incidental. The handscroll format—as well as other Chinese painting formats—displays an intimacy between word and image. Many handscrolls contain inscriptions preceding or following the image: poems composed by the painter or others that enhance the meaning of the image, or a few written lines that convey the circumstances of its creation. Many handscrolls also contain colophons, or commentary written onto additional sheets of paper or silk that follows the image itself. These may be comments written by friends of the artist or the collector; they may have been written by viewers from later generations. The colophons may comment on the quality of the painting, express the rhapsody (rarely the disenchantment) of the viewer, give a biographical sketch of the artist, place the painting within an art-historical context, or engage with the texts of earlier colophons. And as a final way of making their presence known, the painter, the collectors, the one-time viewers often "sign" the image or colophons with personal seals bearing their names, these red marks of varying size conveying pride of authorship or ownership.

Thus the handscroll is both painted image and documentary history; past and present are in continuous dialogue. Looking at a scroll with colophons and inscriptions, a viewer sees not only a pictorial representation but witnesses the history of the painting as it is passed down from generation to generation.

Dawn Delbanco
Department of Art History and Archaeology, Columbia University

Citation for this page

Delbanco, Dawn. "Chinese Handscrolls". In Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/chhs/hd_chhs.htm (April 2008)


Suggested Further Reading(s) Find these publications in a library

Cahill, James. "Approaches to Chinese Painting." In Three Thousand Years of Chinese Painting, by Richard M. Barnhart et al., pp. 5–12. New Haven: Yale University Press, 1997.
Gulik, R. H. van. Chinese Pictorial Art as Viewed by the Connoisseur. Rome: Istituto Italiano per il Medio ed Estremo Oriente, 1958.
Hearn, Maxwell K. How to Read Chinese Paintings. New York: Metropolitan Museum of Art, 2008.



More Information on www.metmuseum.org

Friday, 12 September 2008

The Silk Road Winter 2008 Issue is out

For anyone interested in subjects, related to the Silk Road, the digital magazines of the Silk Road Foundation are a MUST READ.
The New Winter Issue of 2008 has just been released:

CONTENTS

From the Editor's Desktop: Beyond the Sensational: The Reiss-Engelhorn-Museums' "Origins of the Silk Road"

A review of the excellent exhibition of archaeological treasures from Xinjiang on display in Mannheim, Germany until June 1, 2008. Of particular interest are the numerous textiles and more generally the artifacts of daily life.


The 'Silk Roads' Concept Reconsidered: About Transfers: Transportation and Transcontinental Interactions in Prehistory,
by Hermann Parzinger

Recent archaeological finds in Eurasia are documenting the existence of significant transcontinental exchange well prior to the traditional "beginnings of the Silk Roads." An important component of this exhange is to be connected with the Bronze Age Andronovo Culture in the first half of the 2nd millennium BCE. For the Iron Age in the first millennium BCE, some of the evidence is in the striking discoveries from Scythian burials of southern Siberia.

The Dream and the Glory: Integral Salvage of the Nanhai No. 1 Shipwreck and Its Significance,
by Xu Yongjie

The recent recovery of the Nanhai No. 1 (South China Sea No. 1) shipwreck off the coast of Guangdong Province is a landmark in Chinese marine archaeology. The "integral salvage" of this wreck, dating from the late Song Dynasty and containing a cargo of porcelain, means that the detailed archaeological work can be carried out in controlled conditions in the new Marine Silk Road Museum.

The Byzantine Element in the Turkic Gold Cup with the Tiger Handle Excavated at Boma, Xinjiang,
by Lin Ying

The striking find of early Turk Empire gold objects at Boma in the Ili Valley region of western Xinjiang in 1997 included a jewel-encrusted cup with an attached handle cast in the form of a tiger. The likely origin of this handle was the Byzantine Empire, since there was a tradition in late Roman times of the making of such feline handles for precious metalwork, and they then could have been taken to the Turks as part of the diplomatic exchange of the 6th and 7th centuries. The Turks were important contributors to exchange along the silk roads.


Xiongnu Elite Tomb Complexes in the Mongolian Altai: Results of the Mongol-American Hovd Archaeology Project, 2007,
by Bryan K. Miller, Jamsranjav Bayarsaikhan, Tseveendorj Egimaa, and Christine Lee

A report on the project at Tahiltin-hotgor cemetery co-sponsored by the Silkroad Foundation and the National Museum of Mongolian History. A large ramped tomb was excavated and, perhaps of greater interest, several satellite burials and ritual lines connected with tomb complexes. The material is important for extending our understanding of the Xiongnu in an area away from the political center of their polity. By paying close attention to the satellite features of elite burials, we can learn a great deal about ritual and society.

Excavation of a Xiongnu Satellite Burial,
by Jessieca Jones and Veronica Joseph

A description of the excavation of the Satellite burial THL-25-2 at Tahiltin-hotgor cemetery, which contained the well-preserved remains of a man buried with a number of interesting artifacts.


The Tahilt Region: A Preliminary Archaeological Survey of the Tahilt Surroundings to Contextualize the Tahilt Cemeteries,
by James T. Williams

The survey of about a 40 square km area containing the Tahiltin-hotgor cemetery and many other sites dating from the Palaeolithic to the Turk periods. The article discusses survey methodology and provides an overview of the results.


Food as Culture: The Kazakh Experience,
by Alma Kunanbaeva

Food, its preparation, and the social practices surrounding its consumption provide important insights into central cultural concepts of the Kazakhs. The article discusses the food traditions and provides as well practical guidance in the preparation of some Kazakh recipes

Sunday, 7 September 2008

Marco Polo by Laurence Bergreen


One of my latest acquisitons. Although quite a number of books about this subject have been published in the last 20 years, this book is very pleasant, readable and accurate.

During the Middle Ages, most Europeans were poor peasants who never ventured more than a few miles beyond their villages. During this provincial era, Venetian merchant Marco Polo traveled almost all the known world. Like a water bug skimming across a pond, Polo journeyed to the ancient Holy Land, the Levantine, Arabia, Asia Minor, central Asia, Cathay (China), India, Southeast Asia, Africa and to other exotic lands. The captain of a Venetian ship, Polo eventually was captured by the Genoese after a brutal naval battle. He spent many long days and nights in jail describing nearly two decades of remarkable travel to fellow inmate, writer and avid note-taker Rustichello da Pisa. Polo told of serving as a trusted emissary for the fabled Kublai Khan, emperor of the Mongols. Polo's remarkable story became a hugely influential book, //The Travels of Marco Polo//. Like someone spinning a yarn of his adventures as an intergalactic warrior in the far reaches of outer space, Polo told a tale that was almost mythical - yet in most particulars absolutely true and accurate. getAbstract finds that Laurence Bergreen's fascinating biography of Polo ably describes him and his fabulous adventures in comprehensive detail and great color. You owe it to yourself to explore this delightful book.