Ten Thousand Arm Avalokitesvara (Souvenir Postage Stamp Sheet)
Text found on stamp: 1996 - 20, 500分, CHINA, T, 敦煌壁画, 元 . 千手观音.
Designer: Wu Jiankun; Ren Yu
Located on the west edge of the Hexi Corridor in western Gansu, China, Dunhuang Grottoes, always known as a "Buddhist art treasury", is one of the country's largest ancient grotto group, a key cultural relics unit under State protection. The Dunhuang Grottoes in a broad sense include the Dunhuang Mogao Grottoes, the Xi Qianfodong Grottoes, Yulin Grottoes in Ansi, Qianfodong Grottoes in Shuikouxia, which are usually referred to as Mogao Grottoes. The Mogao Grottoes were inaugurated in the 2nd year of Jian Yuan of the early Qin Dynasty (AD 366), but the earliest grottoes extant were dug during the sixteen Kingdoms of Bei Ling (421 to 439 AD). The construction of the grottoes continued in dynasties including Northern Wei (386-534), Western Wei (535-556), Northern Zhou (557-581), Sui, Tang, Five Dynasties and Ten Kingdoms (907-960), Song, Western Xia (1038-1227) and Yuan. The number of grottoes extant totaled 492, and the murals within the grottoes cover an area of about 45,000 square meters; besides there are 2,400 clay sculptures in the Dunhuang Grottoes.
What the Dunhuang murals mainly depict fall into four categories: The Jing Bian, stories illustrating Buddhist scripture; The Ben Sheng story, the previous incarnation life stories of Sakyamuni (the founder of Buddhism); The Buddha, arhat and little Qianfo; and the portraits (with real names )of those who had contributed to the construction of the grottoes or offered sacrifices to the Buddhas. The murals in Northern Wei period, representatives of the early style murals, were drawn in bold and vigorous lines, which looked natural and flowing. However, most lines have already peeled off, and the colors, faded, The mural style in the Sui Dynasty became smooth and vivid, with rich and yet soft colors, The Dunhuang mural art reached its climax in the Tang Dynasty, when lines became thicker and smoother, colors ,richer and more sophisticated. Generally the murals were magnificent, picturing vast ranging subjects. The murals in the Five Dynasties and Ten Kingdoms and early Song Dynasties followed Tang, with natural folk art styles. And in the Yuan Dynasty, murals were painted with dark and gloomy, and seldom red colors. The wet mural style in slight ink and wash made the murals look mysterious.
The Dunhuang murals, the representatives of Chinese arts in the 4th to 13th centuries, have provided many precious materials for the research materials for the research of the history of Buddhist art.
Book Trailer - Song of the Silk Road - by Mingmei Yip
A young woman finds adventure and romance on the legendary Silk Road of China along the treacherous Taklamakan Desert and in the lofty Mountains of Heaven lured by three million dollars promised by an aunt she did not know existed. Through adventures natural and supernatural she is pursued by the younger man who will be her true love. Learn more about this author HERE. Learn more about this book HERE.