In the Shadow of the Golden Age: Art and Identity in Asia from Gandhara to the Modern Age

In the Shadow of the Golden Age: Art and Identity in Asia from Gandhara to the Modern Age
International Conference
13. - 15. October 2011
The University of Bonn
Location: Main building of the University / Akademisches Kunstmuseum

Contibutors:

Keynote adress:
Prof. Dr. Partha Mitter (University of Sussex and University of Oxford)
Speakers:
Prof. Dr. Nalini Balbir (University of Paris-3 Sorbonne-Nouvelle)
Prof. Dr. Parul Dave-Mukherji (Jawaharlal Nehru University, Delhi)
Prof. Dr. Christoph Emmrich (University of Toronto)
Prof. Dr. Julia A. B. Hegewald (IOA, The University of Bonn)
Regina Höfer (MA) (IOA, The University of Bonn)
Dr. Jennifer Howes (The British Library, London)
Prof. Dr. John C. Huntington (Ohio State University, Columbus)
Prof. Dr. Susan L. Huntington (Ohio State University, Columbus and Princeton University)
Prof. Dr. Mallica Landrus (Princeton University)
Prof. Dr. Ciro Lo Mucio (University of Rome La Sapienza)
Dr. Tiziana Lorenzetti (University of Rome La Sapienza)
Daniel Redlinger (MA) (IOA, The University of Bonn)
Dr. Petra Rösch (Museum für Ostasiatische Kunst, Köln)
Dr. Sarah Shaw (The University of Oxford)
Dr. William Southworth (Rijksmuseum, Amsterdam)
Dr. Eva-Maria Troelenberg (FU Berlin / Florenz)

This international conference brings together specialists in the visual arts and humanities working on material from a wide range of periods and regions throughout Asia, the Islamic world and the Western diaspora. Instead of concentrating on the so-called ‘high points’ and ‘golden ages’ of art, which have so far stood generally at the centre of art-historical enquiries, this symposium focuses on visual expressions of confrontation with the ‘other,’ struggle or isolation during times of change. These challenging but artistically fertile periods were marked by intense efforts by communities in search for new identities. Through their art and frequently through the re-use of old symbols in new settings they succeeded in redefining themselves so as to strengthen their religious, cultural or political position. In the history of art, these less investigated phases raise issues, which hold the promise of new significant contributions to the subject.

What happened to Gandharan art after its main phase of flowering came to an end in its traditional heartland? How does Hindu temple architecture react to a majority Christian cultural environment in Goa? In which ways do new rulers and religions, e.g. in medieval South India and at Angkor, relate to the sacred places and icons of previous cultures and religious groups and how do the disposed and dispossessed deal with their loss and react to the new?

The confrontation with the ‘other’ has been particularly pronounced during periods of colonisation throughout Asia. How did British colonial officials and Indian artists commissioned by them represent the different facets of the empire, how was world art exhibited and interpreted in the West and how were (and are?) categories such as ‘masterpiece’ or ‘golden age’ employed to classify and judge art?

A further particularly fertile area of enquiry is the modern age in which many traditions (religious, regal or social) appear to be threatened by globalisation and changes in value. The diverse examples of modern day artistic expressions taken from Arabia, India, Nepal and Thailand to be presented during this conference, however, suggest impressive acts of survival and creative adaptation, which enable continuity and the endurance of forms, meanings and practices under new disguises.

Organisation: Prof. Dr. Julia A. B. Hegewald (julia.hegewald@uni-bonn.de)

Abstracts: click HERE

For more information, click HERE