Tuesday, 26 June 2012

Buddha attacked by Taliban gets facelift


Updated 02:24 a.m., Monday, June 25, 2012
  • This May 24, 2012 photo, shows the face of a sculpture of the Buddha which was destroyed by Taliban fighters at Jahanabad, Pakistan in the Swat valley. When the militants detonated the face off the towering, 1,500-year-old rock carving in northwest Pakistan in fall 2007, it fell to an intrepid Italian archaeologist to come to the rescue. Photo: B.K. Bangash / AP
    This May 24, 2012 photo, shows the face of a sculpture of the Buddha which was destroyed by Taliban fighters at Jahanabad, Pakistan in the Swat valley. When the militants detonated the face off the towering, 1,500-year-old rock carving in northwest Pakistan in fall 2007, it fell to an intrepid Italian archaeologist to come to the rescue. (B.K. Bangash / AP)









JAHANABAD, Pakistan (AP) — When the Taliban blew the face off a towering, 1,500-year-old rock carving of Buddha in northwest Pakistan almost five years ago, it fell to an intrepid Italian archaeologist to come to the rescue.
Thanks to the efforts of Luca Olivieri and his partners, the 6-meter (nearly 20-foot)-tall image near the town of Jahanabad is getting a facelift, and many other archaeological treasures in the scenic Swat Valley are being excavated and preserved.
Hard-line Muslims have a history of targeting Buddhist, Hindu and other religious sites they consider heretical to Islam. Six months before the Sept. 11, 2001 attacks, the Taliban shocked the world by dynamiting a pair of 1,500-year-old Buddhist statues in central Afghanistan.
The Jahanabad Buddha, etched high on a huge rock face in the 6th or 7th century, is one of the largest such carvings in South Asia. It was attacked in the fall of 2007 when the Pakistani Taliban swarmed across the scenic Swat Valley. The army drove most of them out two years later, but foreign tourists who used to visit the region still tend to stay away.
Olivieri himself had to leave in 2008 after more than two decades of tending to the riches dating back to Alexander the Great and the Buddhist, Hindu and Muslim invaders who followed. The 49-year-old head of the Italian Archaeological Mission in Pakistan returned in 2010 and is back at work.
Taliban militants climbed ropes to insert explosives in holes drilled into the face and shoulders of the Jahanabad Buddha, said Olivieri. The explosives in the shoulders failed to detonate, but the others blew off most of the face above the lips and cracked other parts of the carving and surrounding rock.
Olivieri and his team began work this month on fixing the cracks and what's left of the face. A full reconstruction is impossible because detailed documentation and fragments of the face are lacking.
"Whatever you do in the absence of perfect data is a fake," said Olivieri, who says he has wanted to be an archaeologist since age 6 and still brings a youthful exuberance to his work even as his beard grows gray.
Arriving as a university student in 1987, he was fascinated by Swat, once an important center of Buddhist culture and trade. The monk credited with introducing Buddhism to Tibet, Padmasambhava, was born in Swat.
In more recent decades, the area was known as "the Switzerland of Pakistan," popular with religious tourists from China, Japan and South Korea, and the hope is that restoration of the Jahanabad Buddha will spark a revival of tourism here.
Olivieri's mission is funded by the Italian government, which works with local Pakistani antiquities authorities. It has uncovered over 120 Buddhist sites among Swat's soaring hills and rushing rivers. Of roughly 200 Buddhist rock carvings in Swat, the Jahanabad Buddha was among the few to survive with its face intact for so long, said Olivieri. Most were defaced centuries ago by Muslim invaders who, like the Taliban, consider Buddha a false idol.
Maulana Shamsur Rehman, a leading Islamist politician in Swat, says the attack on the Buddha should never have happened. Islam preaches freedom and protection for followers of all religions, he told The Associated Press, and "in line with Islamic rules, nobody should have an objection to the repair work on the Buddha statue."
In 2001, militants damaged the excavated ruins of a 7th century Hindu temple in Swat overlooking a stronghold conquered by Alexander in the 4th century B.C. Unable to protect the temple, the Italian mission had to rebury it.
Ironically, the site that Olivieri was most worried about during the Taliban's violent reign in Swat was an Islamic one — the roughly 1,000-year-old Udegram Ghaznavid mosque, the third oldest in Pakistan. He feared the militants would occupy and damage it, but that never happened.
Pakistani security officials say the Taliban are again trying to infiltrate Swat, but militants are not the only threat to the archaeological sites. Looters are perhaps a bigger problem. Many relics looted from Swat are in private and public collections around the world.
In December police arrested several men in Swat and seized a roughly one-meter-(three-foot) tall, 1,800-year-old Buddhist statue that could have fetched tens of thousands of dollars on the international antiquities market.
The Italian mission has posted guards at the most important sites and is also training them to become guides by teaching them English, first aid and basic conservation techniques, said Olivieri.
The mission opened in 1955 in an office provided by the Wali of Swat, the one-time princely ruler of the territory. To furnish a taste of home, its first draftsman painted a mural of Rome's Spanish Steps in the dining room.
The feeling of glimpsing Italy in the wilds of Pakistan's northwest continues today. There's espresso in the morning and Italian olive oil on the dining room table. A Fiat Campagnola jeep shipped from Italy in 1955 is due to end up in a museum in Swat.
____
Associated Press writer Sherin Zada contributed to this report.


Read more: http://www.timesunion.com/news/article/Pakistan-Buddha-attacked-by-Taliban-gets-facelift-3659644.php#ixzz1ytsX7MXU

The Digital Gazetteer of the Song Dynasty


MAR
22
2010

Overview

In 1958, Sinologist Hope Wright published a work entitled An Alphabetical List of Geographical Names in Sung China. Originally published in Paris by the Centre de Recherches Historiques of the École Pratique des Hautes Études, and reprinted as a second-generation photocopy in 1992 by the Journal of Song-Yuan Studies, the Alphabetical List is now out of print.
Wright’s compilation is the most comprehensive print source for Song geography in any language. TheDigital Gazetteer of Song Dynasty China (DGSD) is a MySQL database derived primarily from theAlphabetical List.
The Alphabetical List is an index to every jurisdiction in the Song (960-1276) spatial administrative hierarchy named in one or more of the following three Song texts: the Song History (宋史Song shi) Geography Monograph, the 980 Records of the Universal Realm in the Taiping Era (太平寰宇紀Taiping huanyu ji), and the 1085 Treatise on the Nine Territories in the Yuanfeng Reign (元豐九域志Yuanfeng jiuyu zhi).
The Alphabetical List consists of 3,828 headwords, including all Rank One circuits (lu), Rank Two prefectures (府 fu州 zhou軍 jun, and 監 jian), Rank Three counties (縣 xian) , and Rank Four towns (鎮 zhen and cheng), markets (chang) and stockades (zhai) that existed at any time during the Song dynasty, along with centers of state industry (mines, foundries, and commodity markets) located in prefectures, and information about the number of cantons (鄉 xiang) in each county, the resident (zhu) and guest (客 ke) population of each prefecture in 980 and 1085, the civil rank of each prefecture and county, the designation of counties that served as prefecture seats, the military-ceremonial designation, if any, of each prefecture, the latitude-longitude coordinate of each prefecture, and the distance of each county from the seat of its parent prefecture.
Dividing the Realm in Order to Govern - Ruth Mostern
Ruth Mostern's "Dividing the Realm in Order to Govern", available from Harvard University Press in 2011
We initially developed the DGSD to support Ruth Mostern’s bookDividing the Realm in Order to Govern: The Spatial Organization of the Song State (Harvard Asia Center, March 2011). The book demonstrates how the Song court repeatedly reorganized the structure of counties and prefectures in order to distribute civil and military officials around the empire in accordance with changing priorities. Therefore, the DGSD is designed to identify the events that transformed the political landscape, and to make the histories of often fluid places as accessible as the names of the jurisdictions.
The development of the DGSD was supported in part by the Society for Song-Yuan Studies, the UC Merced Graduate and Research Council, and the UC Merced Center for Research in the Humanities and Arts.
The DGSD is freely available for personal and educational use according to the terms of the Creative Commons Attribution-Non-Commercial-Share Alike License.

Sunday, 24 June 2012

Lost Treasures of Tibet


Before Leonardo da Vinci painted "The Last Supper," Tibetan craftsmen were creating stunning artistry of their deities in the remote Himalayan kingdom of Mustang. In "Lost Treasures of Tibet," NOVA goes behind the scenes with the first conservation team from the West, as it undertakes the painstaking restoration of these ancient masterpieces and the beautiful monasteries that house them.
Located in present-day Nepal, Mustang contains some of the last remaining relics of an almost vanished world of ancient Buddhist culture. Across the border in Tibet, Chinese occupiers have destroyed thousands of monasteries since taking control of the country in 1950. Therefore, the survival of Mustang's monasteries orgompas is more important than ever. But preservation is extremely difficult because of the centuries of neglect, weather, and earthquakes that have brought many buildings to the brink of collapse. Inside, their exquisite murals are in a near-ruined state.
In the course of their restoration work, conservators from the West come face-to-face with a thorny problem of culture clash: local people want missing sections of the murals completed. Westerners are aghast at the idea, but their hosts are equally shocked at the thought of worshiping unfinished deities.
The program follows the struggle of an international team headed by British conservationist John Sanday to restore the greatest gompa of all—Thubchen, the royal monastery in Mustang's capital of Lo Monthang. The first order of business is fixing Thubchen's roof—no small feat since 200 tons of dirt have been piled on its flat surface over the centuries to seal out leaks. To bear that much weight, the hidden ceiling beams must be more than two feet thick, an apparent impossibility considering that Mustang is virtually treeless. Sanday solves this riddle when his team excavates down to the beams and discovers an elaborate jigsaw puzzle of construction that uses interlocking small timbers to create a lightweight, load-bearing structure.
Ancient Tibetan craftsmen were equally inventive in engineering an ideal wall surface for their murals (see Creating a Wall Painting). Six layers of plaster were applied to the walls, starting with a coarse grain and becoming progressively finer. The same method was used for secco (dry plaster) murals in Europe during the Renaissance, although there is no evidence that Tibetans and Europeans exchanged information on the technique.
As for Thubchen's paintings, they are badly obscured by eons of butterlamp soot, animal glues, and abrasions from yak tail dusters. To deal with the disfigurement, Sanday calls in Rodolfo Lujan from Italy, one of Europe's premier experts in art restoration.
After painstaking treatment to stabilize the plaster, which is badly flaking, Lujan and his assistants start removing the grime. What emerges is startling to behold: brilliantly colored scenes depicting the life of the Buddha (see Before and After). The artists have left no signatures, but Lujan places them in a class with the Italian Renaissance masters. "Maybe the quality is even better than ... a Leonardo, Michelangelo, Raphael," he marvels. Which makes it all the more difficult when he is asked to take his own brush in hand to complete the missing sections of these priceless masterpieces. 


High in the Himalayas of western Nepal, in a little-visited kingdom known as Mustang, lies a treasure trove of medieval Tibetan art now undergoing urgent restoration.
Enlarge this image



Lost Treasures of Tibet Web Site Content
Before and After
Before and After
Watch centuries of grime vanish from nine stunning paintings.
Creating a Wall Painting
Creating a Wall Painting
Conservationists and locals revive Mustang's artistic traditions.
Tour Mustang
Tour Mustang
Journey through this hidden Tibetan kingdom in northwest Nepal.
Deciphering Buddha Imagery
Deciphering Buddha Imagery
What you need to know to recognize an image of Buddha.

The Travels of Marco Polo by Morris Rossabi


The Travels of Marco Polo

The Illustrated Edition

Marco Polo, General Editor Morris Rossabi[9781402796302]
Series: The Illustrated Editions
Publisher: Sterling Signature
Published: November 2012
400 pages
ISBN: 1-4027-9630-7




The newest volume in Sterling Signature's successful Illustrated Edition series takes readers on a fascinating journey into a world once unknown. Marco Polo almost single-handedly introduced fourteenth-century Europe to the civilizations of Central Asia and China. Now this stunningly illustrated volume, edited by renowned historian Morris Rossabi, offers the complete text of Polo's travelogue (in the respected Yule-Cordier translation), enhanced with more than 200 images--including illuminated manuscripts, paintings, photographs, and maps. Sidebars and dozens of informative footnotes combine to present Polo and his travels in a captivating new light.




Morris Rossabi is a historian and professor of China and Central Asia who teaches courses in Inner Asian and East Asian history at the City University of New York and Columbia University. He is the author of Herder to Statesman;The Mongols and Global HistoryModern Mongolia: From Khans to Commissars to Capitalists; and Khubilai Khan: His Life and Times, which was chosen as a main selection by the History Book Club. In 2006, he was named chair of the Arts and Culture Program of the Open Society Foundations, founded by George Soros. He currently resides in New York City.