Showing posts with label Tibet. Show all posts
Showing posts with label Tibet. Show all posts

Tuesday, 21 February 2012

Survey of the Chang-mo Grottoes in Dinggye County, Tibet

From: Chinese Archaeology February 2, 2012

The Chang-mo Grottoes is located at 3 km south of Chang-mo Village, Qiongzi Township, Dinggye County in Xigazi Region, Tibet. It was carved on the east cliff of a south-north ridge on the Guomei Mountain, which situates at the middle section of the Himalayas and extends along the borderline of China and Nepal. The grottoes distribute in the south-north direction on the left bank of Dge-chu River, a tributary of the Yalutsangpo River. The geography coordinate is 87°57′45″~87°57′46.5″E and 28°08′20.5″~28°07′55.4″N and the elevation is 4506~4600 m. The grottoes are ca. 11~105 m above the river, measuring 863 m long and 65 m wide, covering an area of 56,096 square meters.

The earliest survey and documentation of the Chang-mo Grottoes was conducted by the Cultural Relics Survey Team of the Xigazi Region in August 2008 during the third national cultural relics survey. The preliminary result was released on The Third National Cultural Relics Survey in 2008, with very simple data and more or less inaccurate location. In August 2011 experts from the Capital Normal University, Tibetan Institute of Antiquities Preservation and China Tibetology Research Center visited the site respectively. The three caves in Area I were systematically investigated, measured and documented jointly by Tibetan Institute of Antiquities Preservation and China Tibetology Research Center. General Information about its distribution and preservation is also collected.


Murals at Cave IK1
According to geographic features, functions and conception of locals, the total 105 caves are divided into three groups: Area I, II and III, which respectively contain 29, 35 and 41 caves. The three caves in Area I are best preserved, in which clay sculptures of nimbuses, pedestals and cha-cha could be seen. These caves are mainly Buddha halls, and some of them are meditation halls and houses for monks. Grottoes in Area II are all seriously damaged due to collapses of cliffs, which only keeps parts of the structures. Some murals and clay sculptures of nimbuses could be seen from the lower front slope, showing that they once served for Buddha halls. Unfortunately at present they are inaccessible for archaeologists. Grottoes in Area III are well preserved. Most of them are living houses and many have stone walls right in the front.
After the field survey and inquiry to the limited records, archaeologists date the grottoes to the 9th to 10th century and no later than the 11th century. The observation to Cave I and Cave 3 in Area I show that the top limit of clay sculptures and murals is impossible earlier than the middle 8th century. According to the documents of the Nyingma School of Tibetan Buddhism, the earliest influence of Vajrayana Buddhism in the region was closely related to Guru Rinpoche Padmasambhava who reached to Tibet in the middle 8th century. Especially the worship caves in such large size and with full of religious rituals could only appear after the end of the 8th~ the 9th century, a period when both elites and common people in Tibet converted to Esoteric Buddhism and started to worship Mahavairocana and his attendants. The most notable detail is that the figures depicted in the mural dress a robe with triangular shaped collars, which was a typical characteristic of the Tubo period costume. If the murals are dated from as early as the 9th~10th century, the Chang-mo Grottoes could be rated as one of the most significant finds in Tibetan archaeological history.
Further survey show that the Chang-mo Grottoes is not isolated. Seen from the geographical environment, the place where the site located is a bridge linking Ngari and Central Tibet. In these two regions like Gamba, Kangma and Lhaze counties, similar Vajradhatu deities are often themes of grottoes. At the south in mountainous Nepal there are also many grottoes and monasteries closely related with it. The spatial connection must result from the development of certain social power. Although more work is needed for answering such question in details, it is no doubt that the Chang-mo region was a geographical unit with active cultural communication and consistent religious development.
The discovery of the Chang-mo Grottoes enriches the sources of Tibetan grottoes in China. Especially the three caves in Area I with clay sculptures and murals full of local characteristics provide invaluable materials for studying ancient Tibetan Buddhist art. (Translator: Tong Tao)

Sunday, 12 February 2012

Adopting modern methods to preserve ancient Tibetan classic

Xinhuanet.com, February 10, 2012
In 2006, two renowned temples in Lhasa, the Sera Monastery and the Jokhang Temple, invested three million yuan (about 476,910 U.S. dollars) on a studio that dedicates itself to the preservation of ancient Tibetan classics. So far the studio has restored and published 328 classics kept in the Potala Palace, the Sera Monastery and the Norbu Lingka Palace, covering a range from Buddhist scriptures to traditional Tibetan medicine, while digital versions over 3,000 classics have been made for future publications. (Xinhua/Chogo)

A staff member uses a glue stick to fix a worn-out ancient Tibetan classic in Lhasa, capital of southwest China's Tibet Autonomous Region.
A staff member scans an ancient Tibetan classic
A staff member takes photos of an ancient Tibetan classic
A staff member inputs the content of a Tibetan classic into a computer
A staff member fixes a handwritten version of an ancient Tibetan classic in Lhasa

Sunday, 11 December 2011

Silk Road Museum & the Tibet Museum in Seoul

From D Swede, April 4, 2011
I am writing one tip here for two separate locations. I do this because they are located close to each other (about 5 minutes walk), and you can buy a discounted ticket that allows entry to both.

The Silk Road Museum:
Korea was near the far east of the ancient Silk Road, with only Japan stretching further east. This museum has a respectable amount of artifacts and displays dedicated to the old road. The items on display do not particularly relate to Korea, but rather to any location on the old road. There are ancient weapons, clothing, animal bridals / saddles, etc.
The museum is located in a small building and has displays on three floors. The stairs are rather steep and do not offer access to wheelchair or handicapped.
Contact information for the Silk Road Museum is listed below.

The Tibet Museum:
The Tibet Museum is a humble amount of artifacts. They displays are limited to clothing and robes, photographs and several Buddha statues.

Both museums have limited information signs in English, but are obviously well documented in Korean. Thankfully the artifacts mostly speak for themselves.

Both museums are open 10am ~ 7pm. Closed on Mondays.
Tickets for each are 5000won (adult), 3000won (student).
Discount ticket for both museums are 6000won & 4000won respectively.

From the base of the Jeongdok Public Library, there is an Tourist Information Desk, with maps, or from there, there are street signs pointing the way.

By fedoromanchuarchery A short video of our visit to the Silk Road museum, a private collection tucked away in the suburbs of Seoul. The chatter in the background are me (Peter), Suki and Bede Dwyer talking bows.
The track is "Yekul Song" by the Mongolian band Hanggai.

Monday, 17 October 2011

Silks from Han to Jin Period Found near Kyung-lung dngul-mkhar, the Capital of Ancient Xiang Xiong Kingdom in Ngari, Tibet

From: Chinese Archaeology/ Tong Tao Date:2011-10-17

Although being one of the most active areas in the development and interaction of ancient cultures, Western Tibet is fraught with mystery especially before the dominance of Tubo Empire. The newly found Mkhar-gdong cemetery in Ngari not only provides a clue to locate the capital of Xiang Xiong Kingdom more precisely, but also helps greatly to establish a local cultural sequence.

The cemetery is located on the north bank of Sutlej River in Moincer Township, Gar County in Ngari District. Xinjiang-Tibet Highway passes by its vicinity connecting Lhasa and Yecheng in southwestern Xinjiang. It lies in front of a modern Bon monastery of Gur-gyam, which stands at the foot of the mountain west of the Kyung-lung dngul-mkhar, affirmed the capital of ancient Xiang Xiong Kingdom based on both local Bon adherents’ oral tradition as well as archaeological evidence. In 2006 an overloaded truck passed by the monastery, it sank into the earth where was proved to be a cave tomb. The monks of Gur-gyam excavated the cavity and assembled all outputs into the monastery hall and then built a small shelter over the tomb at the disposal of a local official. Although the excavation was not undertaken scientifically, the remaining tomb structure and artifacts still have significant academic value for studying the archaeological culture before imperial Tibet.



The tomb was found beneath the river’s silt and gravel, with a square pit containing a square casket-shaped wooden coffin and a well-preserved skeleton, however, whose burial pose is kept unknown. Burial artifacts include silk pieces with woven Chinese characters “Wang Hou” (King and Marquise) and patterns of birds and beasts, as well as lots of plain brown silk pieces, a U-shaped wooden comb, rectangular wooden trays, a wooden cosmetic box, a woven basketry, a wooden fire-lighting tool, a bronze kettle, a bronze bowel, a bronze cups with a ringed handle, a bronze dustpan with a wooden handle, a ceramic stemmed cup and a ceramic spouted cup.

Figured textiles with inscription “Wang Hou” and patterns of birds and beasts provide a basis for establishing dating of the tomb. It is a typical Han-manufacture, a warp-faced patterned silk with a dark blue ground and beige designs, measuring 44cm×25cm. This piece of cloth is said to have been used to wrap the deceased’s head, according to the monks, resembling the burial face cover found in southern Xinjiang. It has three horizontal registers of figures, each of which features different sets of zoomorphic ornamentation. There are also the remains of a border with a more abstract design. In the top register is a series of paired winged tigers, with mouth agape, and Ding tripods. The middle register is comprised of four fully intact compartments, each of which contains a pair of peacocks and a pair of what may be carnivores along a central axis framed by a pair of turtles and a pair of dragons, which altogether probably represent images of the Four Supernatural Beings (sishen) - Vermillion Bird, White Tiger, Black Turtle and Blue Dragon - which prevailed in ancient China to symbolize the four cardinal points. Two seal scripts Chinese characters “Wang Hou” and their mirror images are symmetrically placed in the in-between space. The lower register is dominated by a wavy pattern containing in each trough a pair of affronted waterfowls.

Silk with the same inscription and patterns have been found in Yingpan Cemetery in Yuli County and Astana Cemetery in Turfan, Xinjiang, dating back to between the 3rd and 4th century and to 455 AD respectively. The silk of the Mkhar-gdong cemetery could thus be set between the 4th and 5th century, which is strongly supported by C14 analysis undertaken by a foreign institution with the result as the 3rd or first half of the 4th century AD.

The burial form follows the tradition of slate grave pits in early western Tibet. The casket-shaped wooden coffin is identical with wooden coffins of Han and Jin periods from Niya, Yingpan and Khotan area, which must result from influences from the latter. Other artifacts also show such trend, such as the U-shaped wooden comb, wooden cup and woven basketry and wooden fire-lighting tool, which bear strong similarities to those from Han and Jin periods in Loulan and Khotan area. Some large-sized bronze and iron objects may come from localities with mature metallurgy like Khotan and Luopu.

Excavation of silk with Chinese inscription “Wang Hou” and metals are indicative of a high rank of the tomb. From its location and dating, it must be related closely to the ancient Xiang Xiong capital of Kyung-lung dngul-mkhar. Though we cannot conclude this tomb as a noble tomb, there is no doubt that it provides a clue for seeking the accurate location of Kyung-lung dngul-mkhar. The silk unearthed is the earliest ever found in whole Tibetan Plateau. Cultural characteristics and living ways reflected by the burial objects are very similar to that in southern Xinjiang during the Han and Jin periods. The cultural connections between the two regions are evident and thereby factors of Han culture are indirectly input to Western Tibet. It is possible to take this traffic and cultural relation into the study of the Silk Road archaeology. This region could therefore be regarded, very possibly, as a branch of the southern route of the Silk Road toward the Tibetan Plateau. The cemetery with well preserved rich burials is not isolated, indicative of further possible abundant archaeological findings.

Saturday, 24 September 2011

Tibet, China and their Struggle for the Silk Road through the Pamir



Wakhan, the remote north-eastern district of Afghanistan’s Badakhshan Province, is intimately connected with the Silk Road. Wakhan’s archeology is known largely from Aurel Stein’s travels in 1906 and less so from the work of Austrian, German and American teams in the early 1970s.

The Red Buddha Hall Road Revisited: Tibet, China and their Struggle for the Silk Road through the Pamir

Religions of the Silk Road Lecture by John Mock, UCSC


Monday, September 26, 2011
2:00 PM - 3:30 PM
6275 Bunche Hall
University of Calafornia
Los Angeles

UCLA Program on Central Asia
Religions of the Silk Road Lecture Series

On five trips to Wakhan in 2004-2007, John Mock had the opportunity to re-visit all sites described by Stein. This talk expands upon Stein’s descriptions and presents an initial analysis of several new finds. These include the site Lien Yun, which Stein discussed but was unable to locate, Tibetan inscriptions, Tibetan-style fort complexes and watch towers, numerous rock carvings that appear to represent Silk Route caravan trade, and older rock carvings depicting wild yak hunting in the Pamir. These discoveries offer new information on the Tibetan Empire in Central Asia, the history of the Silk Road, and the early inhabitants of the Pamir.

Religions of the Silk Road: Transformation and Transmission in the Heart of Asia, is a lecture series co-sponsored by the UCLA Program on Central Asia and the Center for the Study of Religion

Before the rise of the maritime empires of Europe, the ancient trade routes of Central Asia served as one the world’s most vital thoroughfares of religious traffic. From the goddesses of prehistoric Eurasia through the Iranian religions of Zoroaster and Mani, to the Buddhism transferred from India and the Judaism, Christianity and eventually Islam carried in from the Mediterranean west, almost all of the major religions of Asia were imported into the oasis towns that lined the route between Persia and China. Yet if the monks, books and relics who moved along the ‘silk road’ point to a history of religious transmission both into and through Central Asia, important questions remain about what happened to these religious forms in their long periods in transit. Placing the question of transformation alongside that of transmission, the current series of talks excavates the neglected history of Central Asia’s own contributions to the religions of the old world.